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Other biographers had given excellent memoirs of men considered in relation to the chief historical currents of the time. But a full-length portrait of a man's domestic life with enough picturesque detail to enable us to see him through the eyes of private friendship did not exist in the language.

Michael Malia's hodman had said that they might place me just above my grandfather, and my grandfather was a man of letters, a historian whose histories I had not read; and in the midst of the horror my probable burial inspired in me, I found some amusement in the admission that I should like the old gentleman whose portrait hung in the dining-room to have read my novels.

As to his personality, we have only a few meager details, with a portrait that suggests plainly enough those qualities of boldness and craft which characterized his tactics.

"Now look at that! Did you ever see anything more intellectual and cynical, and contemptuous and sweet, all in one! Lookin' at you as much as to say, 'Who are you, anyhow, from way back in the State of Illinois commercial traveller? And what do you pretend to know?" Momma regarded the portrait for a moment in calm disapprobation.

In the "Character of the Duchess of Mazarine," which he drew soon after her arrival in London, he has presented a portrait of her worth examining not only for sake of the object it paints, but for the quaint workmanship it contains.

Once he sketched her as they sat together, and flattered the portrait without getting what he wanted in it; he said he must try her some time in color; and he said things which, when she made Mela repeat them, could only mean that he admired her more than anybody else.

He had retained, since his long talk with Maggie the talk that had settled the matter of his own direct invitation to her friend an odd little taste, as he would have described it, for hearing things said about this young woman, hearing, so to speak, what COULD be said about her: almost as it her portrait, by some eminent hand, were going on, so that he watched it grow under the multiplication of touches.

The portrait was that of an old man. Long gray hair fell in disorder over a careworn brow; the eyes, deep sunk in their sockets, had a strange and disquieting look of fixity; and the mouth, surrounded by deep furrows, seemed to tell its own long tale of sorrow. "Poor Henry!" said Hermann; "this, then, is your present face!

As previously noticed, the portrait of Beatrice Cenci excited a deeply penetrating interest in Hawthorne, and his reflections on it day after day would naturally lead him to a similar design in regard to the romance which he was contemplating.

She played charmingly "for an amateur," he qualified: but what had struck him more than the music was her beauty, her figure, her picturesque grace. And when he confessed his delight in these, his hostess, seemingly on the inspiration of the moment, said: "Paint her picture! Paint her just so! I'll give you the order. Not a mere portrait a picture."