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"I know that one thoroughly, as well," continued Massot; "I was on the 'Voix du Peuple' under him before I went on the 'Globe. The one thing that nobody is exactly aware of is whence Sagnier first came. He long dragged out his life in the lower depths of journalism, doing nothing at all brilliant, but wild with ambition and appetite.
In 1836 it reappeared with dedication and date, but with the divisions further reduced to seven; being those which here appear, with the addition of two, "La Fosseuse" and "Propos de Braves Gens" between "A Travers Champs" and "Le Napoleon du Peuple." These two were removed in 1839, when it was published in a single volume by Charpentier. In all these issues the book was independent.
And he goes on in the same style in the 'Voix du Peuple, which he himself made a success at the time of the Panama affair by dint of denunciation and scandal, and which to-day is like a sewer-pipe pouring forth all the filth of the times. And whenever the stream slackens, why, he invents things just to satisfy his craving for that hubbub on which both his pride and his pocket subsist."
Never before had so many rumours inundated the press. Even the "Globe," usually so grave and circumspect, yielded to the general furore, and printed whatever statements reached it. But the more unscrupulous papers were the ones to read. The "Voix du Peuple" in particular made use of the public feverishness to increase its sales.
"Good-bye, good-bye, my friend, good-bye." "You'll see Fyodor Matveyevitch, sir..." "Yes, my friend, yes... Fyodor Petrovitch... only good-bye." "You see, my friend... you'll allow me to call myself your friend, n'est-ce pas?" Stepan Trofimovitch began hurriedly as soon as the trap started. "You see I... J'aime le peuple, c'est indispensable, mais il me semble que je ne m'avais jamais vu de pres.
It now remains to consider the impress which this stormy period left on the architecture of Paris. We have seen that the Convention assigned the royal Palace of the Louvre for the home of a national museum. The neglect of the fabric, however, continued. Already Marat had appropriated four of the royal presses and their accessories for the Ami du Peuple and the types founded for Louis XIV. were used to print the diatribes of the fiercest advocate of the Terror. All along the south façade, print and cook shops were seen, and small huckstering went on unheeded. In 1794 the ground floor of the Petite Galerie was used as a Bourse. On the Place du Carrousel, and the site of the Squares du Louvre were a mass of mean houses which remained even to comparatively recent times. In 1805 the masterful will and all-embracing activity of Napoleon were directed to the improvement of Paris, which he determined to make the most beautiful capital in the world. His architects, Percier and Fontaine, were set to work on the Louvre, and yet another vast plan was elaborated for completing the Palace. A northern wing, corresponding to Henry's IV.'s south wing, was to be built eastwards along the new Rue de Rivoli, from the Pavilion de Marsan at the north end of the Tuileries; the Carrousel was to be traversed by a building, separating the two palaces, designed to house the National Library, the learned Societies and other bodies. The work was begun in 1812, the Emperor commanding that the grand apartments were to be prepared for the sovereigns who would come,
To take the place of experience there was revolutionary fervor, evidenced in the change of ship-names to such resounding appellations as La Montagne, Patriote, Vengeur du Peuple, Tyrannicide, and Revolutionnaire. There was also more confidence than was ever felt again by French sailors during the war.
To tell the truth, he forgot it as soon as he opened the morning newspapers. The publication of the list of bribe-takers in the "Voix du Peuple" quite upset him, for he had hitherto thought it unlikely that Sagnier held any such list. However, he judged the document at a glance, at once separating the few truths it contained from a mass of foolishness and falsehood.
In front of a luxurious cafe two tall, shabbily-clad and very dirty fellows were alternately offering the "Voix du Peuple" with its account of the scandals and the bribe-takers of the Chamber and the Senate, in voices so suggestive of cracked brass that passers-by clustered around them.
As bearing out the position of the author, we may also call attention to the fact that while the Hebrew race has had very slight development in the plastic arts, yet its mythology has always taken a very definite form, even when dealing with the vaguest and most abstract subjects. Fouillée, Psychologie du peuple français, p. 185.
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