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As Powers himself observed, the ruins of our Capitol are not likely to afford sculptures equal to those which Lord Elgin took from the Parthenon, if this be the system under which they are produced. . . . I wish our great Republic had the spirit to do as much, according to its vast means, as Florence did for sculpture and architecture when it was a republic; but we have the meanest government and the shabbiest, and if truly represented by it we are the meanest and shabbiest people known in history.

It was not till the choosing of partners for the next dance, when Tom Poppins stood up beside Nelly, their arms swaying a little, their feet tapping, that Mr. Wrenn quite got the fact that he could not dance. He had casually said to the others, a week before, that he knew only the square dances which, as a boy, he had learned at parties at Parthenon.

Pericles, the builder of a city Pericles, first among practical men since time began, and Socrates, who jostles history for first place among those who have done nothing but talk imagine these two eating melons together, while Aspasia, gentle and kind, talks of spirit being more than matter and love being greater than the Parthenon!

Within the limits by which they confined themselves, the Greeks worked with such power, learning, taste, and skill that we may fairly claim for their highest achievement the Parthenon that it advanced as near to absolute perfection as any work of art ever has been or ever can be carried. The domestic and palatial buildings of the Greeks have decayed or been destroyed, leaving but few vestiges.

Where one man is charmed by the Odyssey, tens and hundreds of thousands are delighted by the Pentateuch; where one man is enthused by the Philippics of Demosthenes, millions are enthused by the orations of Isaiah; where one man is inspired by the valor of Horatious, tens of millions are inspired by the bravery of David; where one man's life is ennobled by the art in the Parthenon, scores of millions of lives are ennobled by the art in the sanctuary: where one man's life is guided by the moral maxims of Marcus Aurelius, hundreds of millions find their law of right and their rule for action in the Bible.

The overseer and manager of the whole was Pheidias, although there were other excellent architects and workmen, such as Kallikrates and Iktinus, who built the Parthenon on the site of the old Hekatompedon, which had been destroyed by the Persians, and Koroebus, who began to build the Temple of Initiation at Eleusis, but who only lived to see the columns erected and the architraves placed upon them.

In 1862 its name was changed to The Parthenon, or rather, to speak more correctly, The Parthenon arose as a new publication from the ashes of The Literary Gazette.

These subtle variations are among the secrets of the beauty of this porch, as they are of the Parthenon frieze. One may be permitted to object altogether to the use of human figures as architectural supports, but if the thing was to be done at all, it could not have been better done. The weight that the maidens bear is comparatively small, and their figures are as strong as they are graceful.

The man who moulded the first bowl, adapting its form as closely as possible to its use and shaping its proportions for his own pleasure to satisfy his sense of harmony and rhythm, differs from the builders of the Parthenon only in the degree of intensity of his inspiring emotion and in the measure of his controlling thought.

The fleets that were the wonder of the world when the Parthenon was new, are a beggarly handful of fishing-smacks now, and the manly people that performed such miracles of valor at Marathon are only a tribe of unconsidered slaves to-day. The classic Illyssus has gone dry, and so have all the sources of Grecian wealth and greatness.