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Do you care anything for Louis Quinze?" Jane found herself on the threshold of a long and glittering apartment; it was full of the ornate and complicated embellishments of the eighteenth century an exhibition of decorative whip-cracking. Grilles, panels, mirror-frames all glimmered in green and gold, and a row of lustres, each multitudinously candled, hung from the lofty ceiling.

The other principal hall contains a series of rooms representing the cities of Italy during the Renaissance. First from the east is a reproduction of the Fifteenth Century library of the sacristy of the Church of Santa Maria alle Grazie at Milan, a chamber of beautiful armoires of carved wood, with panels painted with sacred pictures in colors.

Prior to the sixteenth century, most of the pictures were painted directly upon the plaster walls of churches or of sumptuous dwellings and were called frescoes, although a few were executed on wooden panels. In the sixteenth century, however, easel paintings that is, detached pictures on canvas, wood, or other material became common.

As it was, one aim shone before him: he could get home. Even as the sick dog crawls under the sofa, Morris could shut the door of John Street and be alone. The dusk was falling when he drew near this place of refuge; and the first thing that met his eyes was the figure of a man upon the step, alternately plucking at the bell-handle and pounding on the panels.

In the eight panels below are the arms of Dom Manoel's eight children, and in the eight large octagons lower down are painted large stags with scrolls between their horns; lastly, in each of the forty-eight panels at the bottom, and of the six spaces which occur under each of the vaults in the four corners; in each of these seventy-two panels or spaces there is painted a stag.

They shook the door and called to him, then beat with their fists upon the wooden panels. But still no sound came from the room. "Becoming alarmed, they decided to burst open the door, and, after many blows, it gave way, and they crowded in. "He sat bolt upright in his high-backed chair. They thought at first he had died in his sleep.

Above him is his opponent and conqueror, Prince Edward; to the left his own arms as eldest son of the monarch, and to the right the traditional arms of Edward the Confessor; who according to the Abbey Chronicles first granted the town a market and the right of levying tolls. In one of the carved panels below these windows is a variation of the coat-of-arms of the Monastery.

"What's that?" whispered Frank again. The constable strode through the open doorway to the foot of the stairs and listened. The sound came from the upper story. He ran upstairs, mounting two at a time, and presently located the noise. It came from an end room, and somebody was hammering on the panels.

In the centre is the octagonal font raised on three circular steps. It is 6 ft. 6 in. broad and 3 ft. 3 in. high, and has an enclosure in the centre. It is panelled on the sides, sometimes with two panels, each of which has round-headed sinkings like windows, sometimes with one panel containing three such sinkings, separated by coupled colonnettes; the cornice and base are moulded.

It was only a shove, a flirt of the wrist, yet so tremendous was his strength that I was hurled backward as from a catapult. I struck the door of the state-room which had formerly been Mugridge's, splintering and smashing the panels with the impact of my body. I struggled to my feet, with difficulty dragging myself clear of the wrecked door, unaware of any hurt whatever.