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"When we arranged about these rooms, there were certain properties that went with them the lady next door who plays Paderewski's 'Minuet' six hours a day, and K. here, and Reginald. If you must take something to the woods, why not the minuet person?" Howe was a good-looking man, thin, smooth-shaven, aggressively well dressed.

He knows perfectly what effects he wishes to produce, how they are to be produced, the causes which underlie and bring them about; he can explain and demonstrate these to the pupil with the greatest exactness and detail. "As you justly remark the quality of tone and the variety of tonal gradations are special qualities of Paderewski's playing.

With his mixed blood, Hungarian and Italian, Marco Davos' performance of romantic composers was irresistible; in it there was something of Pachmann's wayward grace and Paderewski's plangency, but with an added infusion of gypsy wildness which evoked for old concert-goers memories of Liszt the brilliant rhapsodist.

The question has often been raised as to the reason of Paderewski's remarkable hold on an audience; wherein lay his power over the musical and unmusical alike. Whenever he played there was always the same intense hush over the listeners, the same absorbed attention, the same spell. The superficial attributed these largely to his appearance and manner; the more thoughtful looked deeper.

His hands were thin and small; they were wonderful hands and his touch on the piano had the luscious quality of Paderewski's. Mme. Grieg received them with a fascinating smile and won all hearts by her appearance and charm of manner. She was short and plump, with short wavy gray hair and dark blue eyes. Her sister, who resembled her strongly, made up the rest of the family.

In a final analysis it was doubtless Paderewski's wonderful piano tone, so full of variety and color, so vital with numberless gradations of light and shade, that charmed and enthralled his listeners. It mattered to no one save the critics that he frequently repeated the same works. What if we heard the Chromatic Fantaisie a score of times?

What gave him his most characteristic touch, however, was his odd head of hair, curly and wavy like Paderewski's, standing out in a halo round his high white forehead and his delicate profile. I could see at a glance why he succeeded so well in impressing women; he had the look of a poet, a singer, a prophet.

"It is difficult to speak of Paderewski's manner of teaching expression, for here the ideas differ with each composer and with every composition. As to tonal color, he requires all possible variety in tone production. He likes strong contrasts, which are brought out, not only by variety of touch but by skilful use of the pedals. "My lessons with Paderewski were somewhat irregular.

Mere derision, mere contempt, never produced or could produce parody. A man who simply despises Paderewski for having long hair is not necessarily fitted to give an admirable imitation of his particular touch on the piano. If a man wishes to parody Paderewski's style of execution, he must emphatically go through one process first: he must admire it, and even reverence it.

Almost inaudibly Thea began to hum the air, though she was thinking of something serious, something that had touched her deeply. At the beginning of the season, when she was not singing often, she had gone one afternoon to hear Paderewski's recital. In front of her sat an old German couple, evidently poor people who had made sacrifices to pay for their excellent seats.