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Banished from the society of friends, Dürer’s only solace was in his art. Here only he found peace and pleasure. How earnestly and deeply he laboured, the long catalogue of his productions can prove. The truthfulness of his style is shown in his patient studies from nature, and his works are the reflex of such a habit. The figure of the burly townsman of Jerusalem who lifts his cap in acknowledgment of Joachim and Anna, as they meet at the Golden Gate, in his illustrations of the Life of the Virgin (Fig. 243), may be cited for its homely truth, a characteristic which runs through all Dürer’s works, and gives them a certain naïveté. The figure is an evident study of an honest townsman of Nürnberg, and is as little like an ancient Jew as possible, though admirable as a transcript from nature. Of far higher order are the figures of the apostles, John, Peter, Mark, and Paul, which he painted in 1526, and presented to his native city.[229-*] We engrave the figure of Paul, the drapery of which is simple and majestic. A study for this drapery, made as early as 1523, is in the collection of the Archduke Charles of Austria. In these pictures, which are painted of life-size, he has exerted his utmost ability, and eschewed any peculiarities of his own which might interfere with the greatness of his design. “These pictures are the fruit of the deepest thought which then stirred the mind of Dürer, and are executed with overpowering force. Finished as they are they form the first complete work of art produced by Protestantism.[229-
Indeed, I am not sure that any other people than Germans would not find in the repetition of the five hours of the "Meister-Singer von Nurnberg," which was given the other night at the Hof Theater, sufficient reason for revolution. Well, what I set out to say was, that most Germans would like unity if they could be the unit.
It passed twelve hours later, after lying by in out-of-the-way stations, pretty Rosenheim, that marks the border of Bavaria. And here the Nürnberg stove, with August inside it, was lifted out heedfully and set under a covered way.
Alchemy and astrology were thus the recognized physical sciences of the age, under the auspices of which a Copernicus and a Tycho Brahe were born and educated. Sebastian Franck, Chronica, for an account of a visit of Paracelsus to Nürnberg. From what has been said the reader may form for himself an idea of the intellectual and social life of the German town of the period.
German shells from the siege of La Fère, Nürnberg figures, gold-fish in a bowl, and all manner of knick-knacks, embellished the public room. The landlady was a stout, plain, short-sighted, motherly body, with something not far short of a genius for cookery. She had a guess of her excellence herself.
"In Lubeck, Augsburg, Nurnberg, Dantzig, not to speak of Venice, Genoa, Pisa, George Hudson and the Gospel of Cheap and Nasty were totally unknown entities. It is strange that Carlyle should have taken the trouble to correct a misquotation from Juvenal, and still stranger that Froude should have left the words uncorrected. Misquotation was a too frequent habit with him.
A few weeks later tidings reached Gustav Adolf that Wallenstein and the Elector of Bavaria were marching to effect a junction at Nürnberg. If they took the city, his line of communication was cut and his army threatened. Wallenstein, who was a traitor, had been in disgrace; but he was a great general and in his dire need Emperor Ferdinand had no one else to turn to.
It passed twelve hours later, after lying by in out-of-the-way stations, pretty Rosenheim, that marks the border of Bavaria. And here the Nürnberg stove, with August inside it, was lifted out heedfully and set under a covered way.
Our Nurnberg Burggraf, Friedrich IV., held with Ludwig, as did the real majority, though in a languid manner, and was busy he as few were; the Austrian Hapsburgs also doing their best, now under, now above. Johann King of Bohemia was on Ludwig's side as yet. In the eighth year came a Fight that proved decisive.
It is all very well to sit by some neutral fireside reading Goethe or Schopenhauer, while listening to the Meistersinger von Nurnberg, or the "Melody in F," and lull yourself into the belief that the Germans are a race of idealists. This touch is used to a considerable extent in German propaganda.
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