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Bridge's "Organ Accompaniment," one of Novello's music primers, which will open out to them many possibilities, on the use of which they must decide for themselves according to their technical ability and the effect they aim at.
How comes it, I wonder, that the chorale-like air "Blessing, Honour, Adoration" is omitted in Novello's edition? It is given in Clarke's edition and is very beautiful. Jones says of "With darkness deep", that in the accompaniment to this air the monotony of dazed grief is just varied now and again with a little writhing passage.
These were now much extended in number, by the publication of the Essays of Elia. I was in the habit of seeing him very frequently at his home: I met him also at Mr. Cary's, at Leigh Hunt's, at Novello's, at Haydon's, once at Hazlitt's, and elsewhere. Lamb's letters to correspondents are perhaps not quite so frequent now as formerly.
There is no evidence that Lamb and Nyren ever met, but one feels that they ought to have done so, in Novello's hospitable rooms. Lutheran beer.
The night we went to Novello's there was a complete set-to of Mozart and punning. I was so completely tired of it that, if I were to follow my own inclinations, I should never meet any one of that set again; not even Hunt, who is certainly a pleasant fellow in the main, when you are with him but in reality he is vain, egotistical, and disgusting in matters of taste, and in morals.
When seven years of age he entered Westminster Abbey choir. Afterwards he became solo tenor at the Chapel Royal, St. James's. Mr. Lloyd sang in Novello's Concerts in 1867, and at the Gloucester Festival in 1871, where he attracted much attention by his part in Bach's "Passion." In 1888 he went on tour in America, and sang in the Cincinnati Festival.
Novello's music-shop in Wardour Street. Charles Jennens, writing to his cousin Lord Guernsey on September 19, 1738, remarks that "Mr. Handel's head is more full of maggots than ever." Towards the end of July he had begun the composition of Saul, for which Jennens had provided the libretto three years before. It is evident that Handel intended to startle his audiences with his new oratorio scheme.
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