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She turned on the Dyver, and stamping her foot, protested that she would go home if this most tiresome novelist in a muffler did not cease ordering and complaining. Jeanne then whispered: "Tell me about your monk." "The monk, oh yes," answered Noemi, and called to Carlino that they would try to satisfy him, but that he must keep farther off.

A plot is not only, as Stevenson stated, a simplification of life; it is also a further simplification of the train of events which, in simplifying life, the novelist has first imagined. The entire story, with all its implications, is selected from life; and the plot is then selected from the entire story.

It was precisely this hidden quality, so finely balanced, that intrigued the brain of the novelist, as distinct from the heart of the godfather. Which was the real Roy? Which would prove the decisive factor at the critical corners of his destiny? To what heights would it carry him into what abyss might it plunge him that gleam from the ancient soul of things?

The play is not handed over to the chances of interpretation that is the difference; the author creates the manner in which the words are spoken, as well as the words themselves, and he may keep the manner at an ideal pitch. Otherwise the novelist completely ties his hands, submitting to all the restraints of the playwright in order to secure the compactness and the direct force of true drama.

It was directed largely against those points where Cooper had fairly laid himself open to ridicule. Especially was this the case in the matter of descent and family. Webb represented the novelist as the son of a humble hawker of fish through the streets of Burlington, who had afterward become a respectable though not a first-class wheelwright.

I wouldn't have lost him for a dozen ready-made spick and span Colonel Bracebridges! 'Quite right, squire! answered a laughing voice from behind the curtain. 'Smith has a clear two thousand a year, and I live by my wits! I heard a story the other day of our most earnest and genial humorist, who is just now proving himself also our most earnest and genial novelist.

In depicting objective events in which the element of action is paramount, the drama is more immediate and vivid; but the novel may depict subjective events which are quite beyond the presentation of actors in a theatre. Furthermore, since he is not obliged to think of actors, the novelist has a greater freedom in creating characters than the dramatist.

In this respect the difficulty of his position was made more prominent by its contrast with that of the great novelist who was then occupying the attention of the English-speaking world.

Gentlemen, it is said, and said truly, that truth beats fiction; that what happens in fact from time to time is of a character so daring, so strange, that if the novelist were to imagine it and to put it upon his pages, the whole world would reject it from its improbability. And that is the case of the Anglo-Turkish Convention.

B. and of Lovelace, can find evidence of the security with which such crimes could be committed by the rich and influential in the Newgate calendar. The forcible detention in his own house, by Lord Baltimore, of a young girl, his atrocious treatment of her, and his escape from punishment, are incidents in real life not more remarkable than the fictions of the novelist.