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So I went and waited; but, oh! it was a long while before he came; but he would have come if he could, for he was good; and then he took me away, because I cried and said I could not bear to stay with Nofri. And, oh!

"Yes, I could," said Baldassarre, rather bitterly. "No, I'm sure you never could," said Tessa, earnestly. "You thought he might be Nofri," she added, with a triumphant air of conclusiveness. "But never mind; you couldn't know. What is your name?" He rubbed his hand over his knitted brow, then looked at her blankly and said, "Ah, child, what is it?"

I am the greatest mesmerist in the world and he is in my net. I will show you!" She turned towards the shrivelled, almost naked mummy in the case, and addressed it: "O Nofri," she said, "Priestess of Set, great seeress and magician of the old world in whom once my spirit dwelt, send forth your Ka, your everlasting Emanation, to help me. Crush this black hound. Come forth, come forth!"

"Ah! you know him!" she said, pausing a little in wonder. "Perhaps you know Nofri and Peretola, and our house on the hill, and everything. Yes, like Lillo's; but not his hair. His hair is dark and long " she went on, getting rather excited. "Ah! if you know it, ecco!"

But this old man was not an acquaintance; he was a poor stranger going to sleep in the outhouse, and he probably knew nothing of stepfather Nofri; and, besides, if she took him some supper, he would like her, and not want to tell anything about her. Monna Lisa would say she must not go and talk to him, therefore Monna Lisa must not be consulted.

Among these was one Jacopo di Casentino, who, being born, as it is read, of the family of Messer Cristoforo Landino of Pratovecchio, was apprenticed by a friar of the Casentino, then Prior at the Sasso della Vernia, to Taddeo Gaddi, while Taddeo was working in that convent, to the end that he might learn drawing and colouring in the art, wherein in a few years he succeeded so well that, betaking himself to Florence and executing many works in company with Giovanni da Milano in the service of Taddeo their master, he was made to paint the shrine of the Madonna of the Mercato Vecchio, with the panel in distemper, and likewise the one at the corner of the Piazza di S. Niccolò and the Via del Cocomero, which were restored a few years ago, both one and the other, by a worse master than was Jacopo; and for the Dyers he painted that which is in S. Nofri, at the corner of the wall of their garden, opposite to S. Giuseppe.

So he married us, and then Naldo took me back into the church and left me; and I went home, and my mother died, and Nofri began to beat me more, and Naldo never came back. And I used to cry, and once at the Carnival I saw him and followed him, and he was angry, and said he would come some time, I must wait.