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To enable himself to retain the government, he applied for assistance to Filippo; and the pope, to avenge himself for the injury, sought the aid of the Venetians and Florentines. Both parties obtained assistance, so that very soon two large armies were on foot in Romagna. Niccolo Piccinino commanded for the duke, Gattamelata and Niccolo da Tolentino for the Venetians and Florentines.

After the S. George and the bronze David, the two most memorable things are the adorable bronze Amorino in its quaint little trousers or perhaps not Amorino at all, since it is trampling on a snake, which such little sprites did not do and the coloured terra-cotta bust called Niccolò da Uzzano, so like life as to be after a while disconcerting.

Niccolo Pisano appears to have been the first who, at Pisa, took the right way in sculpture: his groups, still in existence, are sometimes too crowded; his figures badly designed, and the whole defective in sentiment; but he gave an impulse communicated through the antique to composition, not unperceived by his scholars, who saw with his eyes and wrought with his spirit.

The ambassadors had only reached Ferrara, when they were told that Niccolo Piccinino had crossed the Po with six thousand horse.

Now the work of Jacopo Avanzi was held to be the best of all; but, since mention has been made of him in the Life of Niccolò d' Arezzo by reason of the works that he made in Bologna in competition with the painters Simone, Cristofano, and Galasso, I will say no more about him in this place.

Filippo sent to beg he would come to him with all speed, for he wished to have a personal interview, that he might communicate matters of the highest importance. Niccolo, anxious to hear them, abandoned a certain victory for a very doubtful advantage; and leaving his son Francesco to command the army, hastened to Milan.

To give as little color as possible for complaint, and to lull suspicion, particularly, because in consequence of his treaty with the count, the latter could not attack Romagna, he ordered Niccolo Piccinino, as if instigated by his own ambition to do so.

You pass from one church to another from S. Francesco, with its façade of green and white, its pleasant cloister and old frescoes, to La Madonna delle Carceri, to S. Niccolò da Tolentino, to S. Domenico and you ask yourself, as you pass from one to another, what you have come to see: only this flower fallen by the wayside.

"If that is an appeal to me, Niccolo," said Bernardo Rucellai, with a formal dignity, in amusing contrast with Ridolfi's curt and pithy ease, "I may take this opportunity of saying, that while my wishes are partly determined by long-standing personal relations, I cannot enter into any positive schemes with persons over whose actions I have no control.

It is a lesser because a merely imitative art that you see in the work of Taddeo Gaddi and the Madonna and Child with six saints of his son Agnolo, or the Entombment ascribed to Taddeo but really the work of an inferior painter, Niccolò di Pietro Gerini from Or San Michele. Yet those twelve scenes from the lives of Christ and St.