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All vied to surpass him, and exhausted their fortunes in this costly emulation, while the Spaniard made a timely retreat to his native country, and by the frugality of four years repaired the extravagance of one year. It was the foible of the Netherlandish nobility to contest with every stranger the credit of superior wealth, and of this weakness the government studiously availed itself.
We may suppose, indeed, that if those of the French had found their outlet in painting alone, we should have pictures of wonderful beauty, of a beauty moreover of a markedly different kind from that of the Italian or Spanish or Netherlandish pictures. But on the other hand we should have perhaps lost the amazing fascination of Chartres, and the delights of Limoges enamel and ivories.
BERNARD VAN ORLEY, born at Brussels in 1471, is characterised in the catalogue of the National Gallery as "taking his place after Massys and Mabuse on the downward slope of Netherlandish painting." He has been immortalised by the fine portrait head of him by Albert Dürer which is now in the Dresden Gallery. He was Court painter to Margaret of Austria, Governess of the Low Countries, and retained the same post under her successor, Mary of Hungary. He is said to have visited Rome in 1509, and there made the acquaintance of Raphael, whose influence is certainly apparent, though hardly his inspiration, in the Holy Family in the Louvre. A more Netherlandish work, both in feeling and in treatment, is the Piet
I am not sure that the traveler ever becomes quite unconscious of the incongruity of the old Flemish dress and decorations, in most cases strongly enhanced by the prim composure which is the elementary expression of the earlier Netherlandish faces: this is still discernible through all transitory emotions of fear, hate, love or anguish, and does not fail to produce very tragi-comic combinations.
Philip II. no sooner saw himself, through the peace of Chateau-Cambray, in undisturbed enjoyment of his immense territory than he turned his whole attention to the great work of purifying religion, and verified the fears of his Netherlandish subjects.
France, without openly and formally breaking the peace, placed a prince of the blood at the head of the Netherlandish rebels; and it was with French gold and French troops that the operations of the latter were chiefly conducted.
But the most important disclosure was made by an intercepted letter of the Spanish ambassador in France, Francis Von Alava, to the duchess, in which the former descanted on the fair opportunity which was now afforded to the king, through the guilt of the Netherlandish people, of establishing an arbitrary power in that country.
"It was matter of great astonishment," said Count Egmont to her, "that to gratify a man who was not even a Fleming, and of whom, therefore, it must be well known that his happiness could not be dependent on the prosperity of this country, the king could be content to see all his Netherlandish subjects suffer, and this to please a foreigner, who if his birth made him a subject of the Emperor, the purple had made a creature of the court of Rome."
But confining ourselves for the present to the sixteenth century, we find that all the considerable Netherlandish portrait painters were employed for the most part outside their own country. Typical of these is JOOS VAN CLEEF, of Antwerp, who died in 1540. According to Vasari he visited Spain and painted portraits for the Court of France.
"Ay, Will," answered Ganlesse carelessly; "I think I have seen thee wave thy whinyard at the throat of a Hogan-Mogan a Netherlandish weasand, which expanded only on thy natural and mortal objects of aversion, Dutch cheese, rye-bread, pickled herring, onion, and Geneva."
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