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A window by Mr Kempe in the east aisle is almost the only good example of modern glass in the minster. The glass in the lancets above the five sisters is modern. The glass in the choir is almost wholly Perpendicular. As in the nave, it is very fragmentary and disordered. The change in the character of the design will be easily noticed.

I could only distinguish an immense vault, like a high cavern, without aisles. Here and there in the gloom was a kneeling figure; the whole place was mysterious and lopsided. The choir was curtained off; it appeared not to correspond with the nave that is, not to have the same axis.

There was nothing shoppy in his demeanour now, even to Deb's prejudiced eye. The sisters walked up the nave to the altar, hand in hand. Deb passed the bridesmaid, Alice Urquhart, without a look her people had brought the young pair together, and were answerable for these consequences and similarly ignored those walking fashion-plates, Mrs and Miss Breen.

It is worth remarking, that Cyril, who was so influential in fixing the orthodox group, had passed the greater part of his life in Egypt, and must nave been familiar with the Egyptian type of Isis nursing Horus. Nor, as I conceive, is there any irreverence in supposing that a time-honoured intelligible symbol should be chosen to embody and formalize a creed.

Rather largely planned, its old form of tunnel vaulting and the fine curve of its nave arches and heavy piers are in violent contrast to the Gothic bay, with its pointed arch, its clustered columns and carved capitals, which, even with the shallow choir and its long, slim windows, is too slight a portion of the Cathedral to have independence or real beauty.

Beneath the sky was no ship so rich or precious, for there was not a sail but was spun of silk, and not a plank, from keel to mast, but showed of ebony. Too fair was the nave for mortal man, and Gugemar held it in sore displeasure. He marvelled greatly from what country it had come, and wondered long concerning this harbour, and the ship that lay therein.

The additions of the centuries following the papal return to Rome have greatly changed the appearance of the church. A large chapel, built in 1506, gives almost a northern nave. In 1671, Archbishop Ariosto thought the interior would be gracefully improved by a Renaissance gallery which should encircle the entire nave from one end of the choir to the other.

If Bourges had been carried out as intended, the crown of the vault would have been exactly seven times half the width of the nave. S. Servin, Toulouse, has the keystone of the vault exactly five times the half width. If we desire to have good acoustic qualities in our churches and halls we must observe some such rule. So with the plan.

As his lordship walks up the nave, we must have a becoming march on the organ not any of this old-fashioned stuff of which I have had so often to complain, but something really dignified and with tune in it."

Within we find ourselves in a vast basilica divided into three naves upheld by twenty-four marvellous columns of great size and beauty, of Greek marble, with beautiful Byzantine bases and capitals. The central nave is closed by a curved apse set high over a great crypt thrust out beyond the rest of the church. Beyond the two aisles are two chapels each with its little curved apse.