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Among the composers for the piano Hummel was one of the authors whom he reread with the most pleasure. Mozart was in his eyes the ideal type, the Poet par excellence, because he, less rarely than any other author, condescended to descend the steps leading from the beautiful to the commonplace.

It introduced a new element into music, and one which was destined to have an almost immeasurable influence upon modern music. Weber's power of characterisation was remarkable, as shown particularly in the music assigned to Agathe and Aennchen, but in this respect he was certainly inferior to some of his predecessors, notably to Mozart.

True, there remained three acts to compose and orchestrate but what was that to a Richard Wagner! Only one other composer has achieved such astounding feats. Mozart, amidst multitudinous worries, sat down and wrote his three glorious symphonies "as easily as most men write a letter."

Rosenbloom to her, encouraging but firm as she struggled through that Mozart sonata, his hurt smile directing her to feel the music he was shorter than Martin and his hair was sandy colored. God, the light on his neck and chest. She was 13, so close to blushing all the time that she had to act like a zombie to keep herself under control. Played like one, too. God. No, it wasn't Mr. Rosenbloom.

Mozart rose, as if he would go. "With your permission, sir, how do you happen to be pilfering here?" "What!" cried Mozart. "Pilfering! The devil! Do you believe, then, that I meant to steal and eat that thing?" "I believe what I see, sir. Those oranges are counted, and I am responsible for them. That tree was just to be carried to the house for an entertainment.

Then suddenly the piccolo broke forth, wild, shrill, brilliant. He was playing Mozart. The child's face went pale with anger at the sound. She turned, and went out, closing both doors behind her to shut out the noise. The shrill, rapid movement of the piccolo music seemed to possess the air, it was useless to try to shut it out. The man went on playing to himself, measured and insistent.

The father of Mozart after having been present at a representation of IDOMENEE made to his son the following reproach: "You have been wrong in putting in it nothing for the long ears." It was precisely for such omissions that Chopin admired him.

From Paris Clementi passed, via Strasburg and Munich, where he was most cordially welcomed, to Vienna, the then musical Mecca of Europe, for it contained two world-famed men "Papa" Haydn and the young prodigy Mozart.

The works of Purcell and of Mozart are the sweetest music ever composed, yet both composers filled their music with discords "that give delight and hurt not." In 1691 Purcell and Dryden did King Arthur together. The poet had by this time forsaken Monsieur Grabut, who had in his eyes at one time stood for all that was commendable in music.

It was now resolved that Mozart should leave Salzburg with his mother, and try his fortune in the world. He was every where admired; but the wonder of his childhood had passed away, and empty praise was all that he could, for the most part, earn. After lingering, in the sickness of hope deferred, at several of the German courts, his destination was at last fixed for Paris.