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Moreover, on account of the lack of speech the plastic art of the mime involves great exaggeration in the conventional-natural gestures and also in the movements and facial expression intended to represent those mechanically caused by emotion.
There, too, his eunuchs about him, Mecaenas lounged, companioned by Varus, by Horace and the mime Bathylle, all of whom he was accustomed to invite to that lovely villa of his which overlooked the blue Sabinian hills, and where suppers were given such as those which Petronius has described so alertly and so well.
With his head set low upon his gladiatorial shoulders, and his nasal voice in subtle and exquisite mimicry reproducing what was truly laughable, yet all with infinite bonhomie and with a genuine superiority to small malice, he was as humorous as he was learned, and as excellent a mime as he was noble and fervent and humane a preacher. On Sundays a party always went from the Farm to Mr.
He is not of a suspicious turn and does not ask what interest in his education has Mime, in whose affection he instinctively does not believe. "Now, Mime," he instructs the dwarf, "you are after this to avoid me. If I do not learn here what I should learn, I shall fare further alone, I shall finally be rid of you!"
If you do not give it to me willingly, Siegfried, my son, it must be plain even to yourself, you will have to leave me your life!" This formal and direct declaration of hate, proving the justice of his instinctive dislike all along of Mime, calls forth from Siegfried's relief even in this moment the exclamation: "That you hate me, I gladly hear!"
The moral philosophy of the Mime, Sophron, was so pure that Plato kept a book of his poems under his pillow when on his death-bed. Besides these Moralities, as they were termed, there were, in addition, light pieces of a farcical kind, in the portrayal of which the Mimes were equally as successful as in the other species.
Moreover, in a theatre we must consider, not the marble of its pavements, not the boards of the stage, nor the columns of the back-scene, nay, nor yet the height of its gables, the splendour of its fretted roofs, the expanse of its tiers of seats; we need not call to mind that this place is sometimes the scene for the foolery of the mime, the dialogue of comedy, the sonorous rant of tragedy, the perilous antics of the rope-walker, the juggler's sleight of hand, the gesticulation of the dancer, with all the tricks of their respective arts that are displayed before the people by other artists.
The mime Theocritus admired his sovereign in all sincerity, for how rarely could even the greatest actors succeed in forcing from their eyes, by sheer determination, a flood of real, warm tears he had seen them flow. As Caesar quitted the room, his hand on the lion's mane, the praetor Priscillianus whispered to Cilo: "Your disciple has been taking lessons here of the weeping crocodile."
The great Japanese historian, Rai Sanyo, compared the Bakufu of that time to a tree beautiful outwardly but worm-eaten at the core, and in the classical work, Taiheiki, the state of affairs is thus described: The Dengaku mime was then in vogue among all classes in Kyoto.
The mime at first differed from other kinds of comedy in having no proper plot; in not being presented primarily on the stage; in having but one actor. Eudicos imitated the gestures of boxing; Theodorus the creaking of a windlass; Parmeno did the grunting of a pig to perfection. Any one who raised a laugh by such kinds if imitation was properly said mimum agere.
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