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An' she ended that letter by sayin' she would soon leave Salt Lake City with the man she had come to love, en' would never be heard of again. "I recognized Milly's handwritin', an' I recognized her way of puttin' things. But that second letter told me of some great change in her.

She had been his enemy from the first day they had met, and she had done her utmost to prevent his marriage to her employer. Even now, in spite of what poor Milly's own solicitor called his "thoughtful generosity" to Miss Pigchalke, the woman was pursuing Varick with an almost insane hatred. About six months ago she had called on Dr. Panton, the clever young medical man who had attended poor Mrs.

They're mostly looking for some soft snap, working-women, that is," she said deferentially for Milly's sake. "The ones I know at any rate. When they're young they mostly expect to marry right off catch some feller who'll be nice to 'em and let 'em live off him. But they'd oughter know there's nothin' in that sort of marriage.

Just when Shepperton had become the place where he most wished to stay where he had friends who knew his sorrows where he lived close to Milly's grave. To part from that grave seemed like parting with Milly a second time; for Amos was one who clung to all the material links between his mind and the past. His imagination was not vivid, and required the stimulus of actual perception.

Milly's answer to this was the plea of her curiosities which left her friend wondering as to their odd direction. Some among them, no doubt, were rather more intelligible, and Kate had heard without wonder that she was blank about Lord Mark.

That was a term not much in vogue in the Chicago of Milly's time, but it seemed to occupy endlessly the talkers about the table at the Hotel du Passage. Milly never understood exactly what was meant by "having a temperament," or the "needs of the artistic temperament" except vaguely that it was a license to do flighty things that all reasonable Chicago folk would deplore.

I fear nought myself, of course, because Milly's a woman of her word and knows no changing; but that cuts both ways and, while she's so firm as a rock about my wages and in a manner of speaking puts money before love, then I sometimes wonder who could blame me for doing the same.

She had risen by Milly's aid to a certain command of what was before them; the ten minutes of their talk had in fact made her more distinctly aware of the presence in her mind of a new idea. It was really perhaps an old idea with a new value; it had at all events begun during the last hour, though at first but feebly, to shine with a special light.

Jack Bragdon was a much rarer type in Chicago of the early nineties or in any American city than he would be to-day. Milly's experience of the world had never brought her into close touch with Art. And Art has a fatal fascination for most women. They buzz around its white arc-light, or tallow dip, like heedless moths bent on their own destruction.

Shaw cried out enraptured at the interesting resemblance which had escaped them all, to be instantly caught by the elderly cherub in the background, who did not care about art, while the Professor explained that both Milly's parents were, like himself, great-grandchildren of Lady Hammerton.