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We may compare these statements of the universal presence of the wonder-working magician with those of the gleeman who recites the Anglo-Saxon metrical tale called the Traveller's Song. No doubt, lands the most distant can be shown to have a common property in many marvellous stories.

We are much pleased to learn that the work has met with a very good reception; for we consider it as the card of introduction of a gentleman whom the American people will very probably know pretty well before he has done with them, and be the better for the acquaintance. Dante's Hell. Cantos I. to X. A Literal Metrical Translation. By J. C. Peabody. Boston: Ticknor & Fields, 1857.

To apply these results to the Saturnian verses extant, let us select a few examples: "Gnaivod patre prognatus | fortis vir sapiensque." patre or patred retains its length by position, i.e. its metrical accent, against the natural accent patre. In the case of syllables on which the ictus does not fall the quantity and accent are indifferent.

It is said of him that he was so extremely modest that he was never able to make his fortune or to raise himself above necessity. He was not too modest, however, to dare to make a metrical version of the Psalms, to write an improvement of King Lear, and a continuation of Absalom and Achitophel. Brady equally modest translated the Aeneid in rivalry of Dryden.

In those good old times for the fashionable Nine, an epic was sure to lead to a Ministry-of-State, and even an epigram produced its pension: to be a poet, or reputed so, was to be eligible for all things; and the fortunate possessor of a rhyming dictionary might have governed Europe with his metrical protocols. But these halcyon times are of the past and so, verily, are their heroes.

This French version of the psalms is of special interest to all thoughtful students of the history of Protestantism, because it was the first metrical translation of the psalms ever sung and used by the people; and it was without doubt one of the most powerful influences that assisted in the religious awakening of the Reformation.

Two of the couplets flash with auroral splendour, and of all the vast amount of metrical work that Burton accomplished, these are the only lines that can be pronounced imperishable. Once only and only momentarily did the seraph of the sanctuary touch his lips with the live coal.

What were the Metrical Romances? What reasons led to the great interest in three classes of romances, i.e. Matters of France, Rome, and Britain? What new and important element enters our literature in this type? Read one of the Metrical Romances in English and comment freely upon it, as to interest, structure, ideas, and literary quality. Tell the story of Sir Gawain and the Green Knight.

It is marked by a bold and ingenious metrical novelty. "Captain Cottington he went to sea, Captain Cottington he went to sea, Captain Cottington he went to sea-e-e, Captain Cottington he went to sea." The third verse of the next stanza announces that he didn't go to sea in a schoo-oo-ooner, of the next that he went to sea in a bri-i-ig, and so on.

They possessed in it, not only a wonderful new metrical version of the Psalms for singing, but a prose version for comparison as well; and the deeply learned and profoundly worded annotations placed at the end of each Psalm were doubtless of special interest to such "scripturists with all their hearts" as they were.