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On the contrary, illuminated by the light from the grating, a cellar light, it is true, livid, yet precise in its lividness, Thenardier, as the energetic popular metaphor expresses it, immediately "leaped into" Jean Valjean's eyes.
"From the first discussions which arose on this subject, I have ventured to maintain that . . . the phrase 'natural-selection' represented no true physical cause, still less the complete set of causes requisite to account for the orderly procession of organic forms in Nature; that in so far as it assumed variations to arise by accident it was not only essentially faulty and incomplete, but fundamentally erroneous; in short, that its only value lay in the convenience with which it groups under one form of words, highly charged with metaphor, an immense variety of causes, some purely mental, some purely vital, and others purely physical or mechanical."
It is the fountain and source of all the activity of the man, the central unity from which all comes. Taken in this wide sense it is really the whole inner self that is meant, or, as is said in one place, 'the hidden man of the heart. And so the thought in this vigorous metaphor may be otherwise put, that all sin makes indelible marks on the whole inward nature of the man who does it.
We know how great was Greene's reputation as an author, how publishers were ready to outbid one another for the very dregs of his wit. Thomas Brabine was but voicing the general opinion when, in some verses prefixed to Menaphon, he wrote, condescending to an inevitable pun, but also to a less excusable mixed metaphor: Be thou still Greene, whiles others glorie waine.
Yet if the myth was originally accepted it could not be for this falsity plainly written on its face; it was accepted because it was understood, because it was seen to express reality in an eloquent metaphor. Its function was to show up some phase of experience in its totality and moral issue, as in a map we reduce everything geographically in order to overlook it better in its true relations.
The rules laid down for historical composition are those relating to the aesthetic value of digressions, the legality of employing more than one metaphor in the same sentence, and the like; and historians are ranked not by their power of estimating evidence but by the goodness of the Greek they write.
Rodney lit his lamp, pulled his curtains, offered Denham a chair, and, flinging the manuscript of his paper on the Elizabethan use of Metaphor on to the table, exclaimed: "Oh dear me, what a waste of time! But it's over now, and so we may think no more about it." He then busied himself very dexterously in lighting a fire, producing glasses, whisky, a cake, and cups and saucers.
In fact the Crown became, if the metaphor is not too homely for such great affairs, a siphon which transferred power from His Majesty's Government in the old land to His Majesty's Governments in the Dominions. It was, however, not enough to have independent control. It was equally necessary, as the other half of the policy of co-operation, to provide means for securing united and effective action.
Magnanimity is, in fact, not in Eleanor's line. The virtues, she once explained to me, are like bonnets: the very ones that look best on other people may not happen to suit one's own particular style; and she added, with a slight deflection of metaphor, that none of the ready-made virtues ever had fitted her: they all pinched somewhere, and she'd given up trying to wear them.
Harlowe, a little abashed at his want of knowledge of American metaphor, now felt himself at home. "Well, no. It's not unusual. In one of those books yonder there is the record of a case where a man, who had committed a series of nameless atrocities, extending over a period of years, absolutely kept a memorandum of them in his pocket diary. It was produced in Court.
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