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Those masks had to be tied firmly and well, for some jester might try to pull away that of Pierre, and if his face were seen, it would be death a slaughter without defense, for he had not been able to conceal his big Colt in these tight-fitting clothes. Even as it was, there was peril from the moment that the lights within should shine on that head of dark-red hair.

Only a proportion of the people wear masks at this ball; it's an annual affair. Besides, life with a purpose is too wearing; one must always be on the alert and have the purpose in view, like the actor in a sixpenny theatre, who plays up to the gallery and keeps his eye open for the rotten egg of his enemy. The egg may not be thrown, but he must be ready to dodge it all the same.

"Here forsooth, is the home of all the paintpots," said I. With fifty patches painted on faces and limbs so sat ye there to mine astonishment, ye present-day men! And with fifty mirrors around you, which flattered your play of colours, and repeated it! Verily, ye could wear no better masks, ye present-day men, than your own faces! Who could RECOGNISE you!

But, if a young woman out alone in the woods was hardly to be counted among the well-born, she held rank above them. Her face and bearing might really be taken to symbolize the forest life. She was as individual a representative as the Tragic and Comic masks, and should be got to stand between them for sign of the naturally straight-growing untrained, a noble daughter of the woods.

After surveying his ancestors' portraits we adjourned to the hall, which was furnished with battle-axes, Jethart spears, basket-hilted swords, maces, salmon leisters, masks of otters and foumarts, foxes and badgers, and all the various trophies of Border sport and warfare of old time.

This discovery could only be explained by the supposition that the irritant works in the form of particles which it is difficult to keep back by means of a respirator, even a completely protecting respirator, such as the German and English gas masks were at that time.

In 1824, at the last opera ball of the season, several masks were struck by the beauty of a youth who was wandering about the passages and greenroom with the air of a man in search of a woman kept at home by unexpected circumstances. The secret of this behavior, now dilatory and again hurried, is known only to old women and to certain experienced loungers.

What shall we say of him who comes from his closet, his mountain-top, with such a veil over his face as masks his very humanity? Is it with the Father that man has had communion, whose every movement is self-hampered, and in whose eyes dwell no smiles for the people of his house?

This man was the assassin. They allowed him to pass; the crime had no other evidence than itself, a pistol, and a knife, sharpened as a poignard, found beneath the masks and flowers on the floor of the opera. The weapon revealed the hand. A gunsmith at Stockholm identified the pistol, and declared he had recently sold it to a Swedish gentleman, formerly an officer in the guards, named Ankastroem.

Thespis, whom Solon reproved for falsehoods, was the first person who made the dancers and singers, who were called the chorus, so answer one another and the speakers that the tragedy became a play, representing some great action of old. The actors had to wear brazen masks and tall buskins, or no one could have well seen or heard them.