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Scrooge never painted out Old Marley's name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names: it was all the same to him. Oh!

And even Scrooge was not so dreadfully cut up by the sad event but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain. The mention of Marley's funeral brings me back to the point I started from. There is no doubt that Marley was dead.

"Ladies and gentlemen, I have the honour to read "to you 'A Christmas Carol, in four staves. Stave "one, 'Marley's Ghost."

The apparition walked backward from him; and, at every step it took, the window raised itself a little, so that, when the spectre reached it, it was wide open. It beckoned Scrooge to approach, which he did. When they were within two paces of each other, Marley's Ghost held up its hand, warning him to come no nearer. Scrooge stopped.

My impression is that somebody who knows the ways of the house watched me depart. Then he lured his victim in here under pretence that it was his own house he had the purloined latch-key and murdered him. Audacious, but a far safer way than doing it out of doors." But Marley's imagination refused to go so far.

"And you will be sure later on to find that he had a hand in the purchase of the other cigar-case from Walen's. Go to Marley's and get him to make inquiries as to whether or not Walen's got their case down on approval." David proceeded to do so without further delay. Inspector Marley was out, but David left a message for him. Would he communicate by telephone later on?

And so on through those familiar introductory sentences, in which Jacob Marley's demise is insisted upon with such ludicrous particularity. The momentary sense of incongruity here referred to was lost, however, directly afterwards, as everyone's attention became absorbed in the author's own relation to us of his world-famous ghost-story of Christmas.

Scrooge never painted out Old Marley's name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him. Oh!

"What do you want with me?" "Much!" Marley's voice, no doubt about it. "Who are you?" "Ask me who I was." "Who were you then?" said Scrooge, raising his voice. "You're particular for a shade." He was going to say "to a shade," but substituted this, as more appropriate. "In life I was your partner, Jacob Marley." "Can you can you sit down?" asked Scrooge, looking doubtfully at him. "I can."

And yet Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change, not a knocker, but Marley's face. Marley's face, with a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but it looked at Scrooge as Marley used to look, with ghostly spectacles turned up upon its ghostly forehead.