United States or Malta ? Vote for the TOP Country of the Week !
It must be remembered, however, that the excessive correctness of which I have complained was only one of the means through which Lamoureux attained excessive lucidity. He sacrificed every other quality to lucidity; and those who preferred lucidity to every other qualify that is to say, all Frenchmen naturally preferred Lamoureux's playing to that of any other conductor.
Lamoureux's performances of Wagner's works have been among the best that have ever been given. He had a regard for the work as a whole and a care for its details, to which the Colonne orchestra did not quite attain. On the other hand, Lamoureux's defect was the exuberant liveliness with which he interpreted compositions of a romantic nature.
But Lamoureux's men had practised so long together under their conductor's beat that all the instruments played like one instrument, no matter how the tempo was varied; the bowing of each passage had been considered and finally settled, so that there was no uncertainty there; and in the course of long rehearsal every wind-player had learned precisely where he must breathe, where he must reserve his breath, and where he could let himself go, so that the tone of flutes, oboes, clarinets, and bassoons never became in the smallest degree forced or hoarse.
Perhaps some day the foot-rule, the metronome, and the tuning-fork will take the place of the human ear and artistic judgment; but until that day arrives I prefer the wrongness of Mottl's orchestra to the strict correctness which Lamoureux used to give us; and I leave the æsthetic illogical logic-choppers, who demand from the orchestra the correctness they would not stand from a solo-player, to find what delight they may in such playing as Lamoureux's used to be in the "Meistersinger" overture, or the "Waldweben," or the Good Friday music.
Materna and Lilli Lehmann. At the end of the season of 1897 Lamoureux wished to disband his orchestra in order to conduct concerts abroad. But the members of the orchestra decided to remain together under the name of the Association des Concerts-Lamoureux, with Lamoureux's son-in-law, M. Camille Chevillard, as conductor.
"Oh, bother her ladyship!" said Beau lightly. "Come along, and give us something in your best style." So saying, he led the half-reluctant artist back to the piano, where he was introduced to Thelma, who gave him so sweet a smile that he was fairly dazzled. "It is you who play Schumann so beautifully," she said. "My husband and I heard you at one of Lamoureux's concerts in Paris.
Word Of The Day