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I remember how much my health improved during the writing of this work; and my surroundings during that time consequently left very little impression on my mind. During the first months of the new year I also conducted a few orchestral concerts. To please my friend Sulzer, I produced, amongst other works, the overture to Gluck's Iphigenia in Aulis, after having written a new finale to it.

Once or twice they attempted a scene in Menander; but there was something which made Agellius shrink from the comedy, beautiful as it was, and clever as was the representation. Callista could act Thais as truly as Iphigenia, but Agellius could not listen as composedly.

"True, his is the powerful breast and the mighty hand of the Titans... A certain inheritance; yet the god welded Round his forehead a brazen band; Advice, moderation, wisdom, and patience, Hid it from his shy, sinister look. Every desire is with him a rage, And his rage prowls around limitless." "Iphigenia in Tauris"

Dear friend, we all know who it is. Why this official secrecy? I must confess that formerly I thought it more desirable to have an honorarium for my version of "Iphigenia in Aulis" than a present, but on second consideration I find that such an honorarium would have been little more than a present.

She was fond of social life, and no party seemed complete without her. At twenty-two she began to study German, and in three months was reading with ease Goethe's Faust, Tasso and Iphigenia, Körner, Richter, and Schiller. She greatly admired Goethe, desiring, like him, "always to have some engrossing object of pursuit."

I wished to do this, if only for the sake of the musical motive appearing in the story of the Holy Grail; but in other respects the plan struck me as perfectly satisfactory. Owing to previous suggestions on my part, Gluck's Iphigenia in Aulis was to be produced this winter.

Just as the knife is about to descend, the dying words of Orestes, 'Was it thus thou didst perish in Aulis, Iphigenia my sister? bring about the inevitable recognition, and the brother and sister rush into each other's arms. But Thoas has yet to be reckoned with.

This riot took place on the 21st of April, and on the 2d of May Paula alludes to a performance at the opera-house, which Ludo and I attended. It was the last appearance of Fran Viardot Garcia as Iphigenia, but I fear Paula is right in saying that the great singer did her best for an ungrateful public, for the attention of the audience was directed chiefly to the king and queen.

If I could live together with you I might do many fine things yet. Farewell, and be cordially thanked for your glorious friendship. Your I have no objection to my close of Gluck's "Iphigenia" overture being used, seeing that I have already published it. It would be advisable, however, that the overture should appear with the correct tempi and some necessary marks of expression.

"And thou wilt keep it by thee with thy life. To Orestes, son of Agamemnon, say Iphigenia, his sister, is dead indeed unto her parents, but not to him. Say that Diana has had charge over her these many years since she was snatched away at Aulis, and that she waits until her brother shall come to rescue her from this duty of bloodshed and take her home."