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And with a heart-pang beyond description he saw his brother Guillaume in his turn spring forward and rush into the mansion as though impelled to do so by some revelation, some sudden certainty. He, Pierre, though he understood nothing clearly, could divine the approach of some frightful horror.

But Guillaume was no longer listening to him. He was thinking of Salvat and the terrible engine of war he had invented, that engine which before long would shatter cities. And a new idea was dawning and growing in his mind. He had just freed himself of his last tie, he had created all the happiness he could create around him.

The darkness was like ink, and there was not a sound, a breath; the silence was complete. How should he find his way? he wondered. Which direction ought he to take? He was still hesitating when some twenty paces away he suddenly saw a bright spark, the gleam of a lucifer. Guillaume was lighting a candle.

She displeased him and even made him feel somewhat anxious, as if she were a creature different from all others. "It is my brother Guillaume who has sent me," he said. At this her face again changed; she became grave and hastened to admit him to the passage. And when the door was closed she answered: "You have brought us news of him, then! I must apologise for receiving you in this fashion.

Neither an exclamation nor a glance that might have embarrassed him came from Mere-Grand or the three young men. Was not the change a natural one? They greeted him therefore in the quiet way that was usual with them; perhaps, with some increase of affection, as if to set him the more at his ease. Guillaume, however, ventured to smile good-naturedly. In that change he detected his own work.

Pierre and Guillaume shuddered, and asked for particulars. Thereupon Janzen related that he had happened to be there, had heard the explosion, and seen the windows of the cafe shivered to atoms. Three customers were lying on the floor blown to pieces.

Is the hand of the master visible throughout? The scholar of Valence might be Guillaume des Autels, to whom with more certainty can be ascribed the authorship of a dull imitation of Rabelais, the History of Fanfreluche and Gaudichon, published in 1578, which, to say the least of it, is very much inferior to the fifth book.

Pierre knew that, on a previous occasion, Guillaume had narrowly escaped being compromised in an Anarchist affair. He asked him no questions, but he could not help reflecting that he would not have hidden himself in this fashion had he not feared arrest for complicity. Complicity with Salvat? Was he really an accomplice?

"I really think that they haven't opened for the season yet," said Guillaume as he entered the silent house. "At all events they will let us stay here till the rain stops," answered Pierre, seating himself at one of the little tables. However, a waiter suddenly made his appearance seemingly in a great hurry.

His brother his little brother! So all their love was over; hatred and violence were about to poison their lives. For hours Guillaume continued complaining deliriously, and seeking how he might so rid himself of Pierre that what had happened should be blotted out.