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Romola felt certain they were the features of Fra Girolamo Savonarola, the prior of San Marco, whom she had chiefly thought of as more offensive than other monks, because he was more noisy. Her rebellion was rising against the first impression, which had almost forced her to bend her knees.
In S. Piero Maggiore, on the right as one enters the church, there is a panel by his hand, and in the Murate there is a picture of S. Sigismund, the King. For Girolamo Federighi, in that part of S. Pancrazio where he was afterwards buried, he painted a Trinity in fresco, with portraits of him and of his wife on their knees; and here he began to decline into pettiness of manner.
Four of his nephews and their aggrandizement were the particular objects of his attentions, and two of these as we have already said Piero and Girolamo Riario, were universally recognized to be his sons.
Often in later life Savonarola cried that he had sought the cloister to find rest, but that God had chosen, instead of bringing him into calm waters, to cast him on a tempest-swollen sea. See the Sermon quoted by Villari, vol. i. p. 298. On the very next day Girolamo left Ferrara in secret and journeyed to Bologna.
The conspirators, to avoid exciting suspicion, and to escape the cold, which was very severe, had withdrawn to an apartment of the archpriest, who was a friend of theirs, but hearing the duke's approach, they came into the church, Giovanandrea and Girolamo placing themselves upon the right hand of the entrance, and Carlo on the left.
In the course of the year 1494, Lodovico informed Girolamo Tuttavilla, who was at one time treasurer to the duchess, that his wife had won no less than three thousand ducats, all of which she declared had been spent in alms. "When I remarked that this seemed a very large sum, the duchess confessed she had paid some of it to embroiderers and other craftsmen.
This is for the common people the meaning of the whole system of faith, traditionally delivered to them from the past and administered to them by the pastors of the Church. The Life of Girolamo Savonarola Pasquale Villari was born October 3, 1827, at Naples.
Her father, Galeazzo Sforza, was murdered in Milan Cathedral by a little band of patriots; her brother Giangaleazzo had died, of want or poison, in the Castle of Pavia, the victim of her ambitious uncle, Lodovico; her husband, Girolamo Riario, she had seen butchered and flung naked from a window of the very castle which she now defended; Giacomo Feo, whom she had secretly married in second nuptials, was done to death in Forli, under her very eyes, by a party of insurrectionaries.
This is a mistake, for the patron of the church was Cardinal Girolamo Basso della Rovere, and the presence of his coat-of-arms in the centre of the cupola is evidence that the work was executed at his expense. In each of the eight compartments of this roof is painted a standing angel, playing or tuning musical instruments most graceful and beautiful figures.
Upon this the pope recalled the Count Girolamo from Lombardy with orders first to recruit his army at Rome, and then proceed against Citta di Castello.
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