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Our argument derives considerable support from the references to the Highlands of Scotland which we find in mediæval literature. Racial distinctions were not always understood in the Middle Ages; but readers of Giraldus Cambrensis are familiar with the strong racial feeling that existed between the English and the Welsh, and between the English and the Irish.

By force, or according to Giraldus, by a pretended tale of the destruction of all the other invaders, the Wexford men seized possession of him and the other English, and had them flung into a dungeon.

Strongbow is described by Giraldus, whose personal sketches, of the leading invaders form the most valuable part of his book, as less a statesman than a soldier, and more a soldier than a general. His complexion was freckled, his neck slender, his voice feminine and shrill, and his temper equable and uniform.

Giraldus Cambrensis says, "Item, he restored the chevet of his own church with Parian stones and marble columns in wonderful workmanship, and reared the whole anew from the foundation with most costly work. Similarly, too, he began to construct the remarkable bishop's houses, and, by God's help, proposed, in certain hope, to finish them far larger and nobler than the former ones."

"It is a poor church that has no music," is a Gaelic proverb, as old, perhaps, as the establishment of Christianity in the land; and no house was considered furnished without at least one harp. Students from other countries, as we learn from Giraldus, came to Ireland for their musical education in the twelfth century, just as our artists now visit Germany and Italy with the same object in view.

Giraldus, for instance, evidently admired the site of Llanthony, and, if he expressed himself about it in rather exaggerated language, that is no more than what naturally happens when any man, especially when Giraldus, expresses himself in Latin, especially in mediæval Latin.

This story, like many others of the same age, rests on the uncertain authority of the vain, impetuous and passionate Giraldus.

As early as 1177 he appointed his youngest son John king of Ireland, and seems to have fully formed the intention of sending him over as a permanent governor or viceroy, a purpose which the misconduct of that youthful Rehoboam, as Giraldus calls him, was chiefly instrumental in foiling.

Now are we to hold that the Bleheris who, according to Wauchier, had told tales concerning Gawain, and Arthur's court, one of whic tales was certainly the Grail adventure; the Master Blihis, who knew the Grail mystery, and gave solemn warning against its revelation; the Blihos-Bliheris, who knew the Grail, and many other tales; the Breri, who knew all the legendary tales concerning the princes of Britain; and the famous story-teller Bledhericus, of whom Giraldus speaks, are distinct and separate personages, or mere inventions of the separate writers, or do all these passages refer to one and the same individual, who, in that case, may well have deserved the title famosus ille fabulator?

He became passionately attached to the bishop, but exhibited no liking for anyone else, he considered himself bound to protect his master, driving other people away from him, "As I myself," writes Giraldus Cambrensis, "have often with wonder seen," with his wings and beak. =The Organ= was rebuilt in 1894 by Hill and Son at a cost, including the case, of £4,400, and at the expense of the late Mr.