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In executing their work upon the walls of palaces and churches, they employed a kind of fresco. Fresco was essentially the Florentine vehicle of expression.
Each pavilion was named after fresco paintings, which covered its walls, and which had been executed by the most celebrated artists of the age of Louis XIV. On a line with the upper pavilion there was on the left a chapel; on the right a pavilion called La Perspective, which concealed along suite of offices, containing a hundred lodging-rooms intended for the persons belonging to the service of the Court, kitchens, and spacious dining-rooms, in which more than thirty tables were splendidly laid out.
Thus, for instance, one apartment contains beautiful fresco paintings; another, life-size portraits of the royal family in Chinese costume; in a third, the effects of damp on walls and ceiling are so accurately portrayed that at first I was deceived by the resemblance, and regretted to find a room in such a condition among all the pomp and splendour around.
She pointed; and well I remember the gesture the very gesture of the hand in the fresco the forefinger extended, the thumb shut within the palm. "The sand . . . he told me . . ." Her eyes were wide and fixed. She spoke, not excitedly at all, but rather as one musing, much as she had answered Laquedem on the morning when he waved the daisy-chain before her.
Another representation, which covers one immense wall, is a glorification of various princes of Orange: it is in full front of me, as I sit, the Peace fresco being visible at my left, and a lovely view of the gardens, and of the water beyond, through the windows at my right.
Here comes to view the 'flecked' appearance of the iris, especially in the right eye. The left may be described as almost wholly blue." And so on, and so on, and so on. "In the Museo Civico at Pavia, is a fresco likeness by an unknown hand, in which this fresh red is distinctly recognisable on the face.
After stopping a moment in the anteroom, the ceiling of which is painted in fresco by Somnio, we were ushered into the room called the most splendid in Europe, and, if carving and gilding and mirrors and chandeliers and costly colors can make a splendid room, this is certainly that room.
Some say that Jacopo, finding that the work had been allotted to him notwithstanding that Francesco Salviati, a painter of great fame, was in Florence and had brought to a happy conclusion the painting of that hall in the Palace which was once the audience-chamber of the Signoria, must needs declare that he would show the world how to draw and paint, and how to work in fresco, and, besides this, that the other painters were but ordinary hacks, with other words equally insolent and overbearing.
Ghirlandaio's fresco in S. Trinit
To produce working Cartoons for that immense scheme in less than two months would have been beyond the capacities of any human brain and hands. But there are many indications that the vault was not prepared for painting, and the materials for fresco not accumulated, till a much later date.
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