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"And she does not comprehend it in the least." It was somewhat singular, Theo thought, that he should be so silent after this, for he was silent. He even seemed absent-minded, for some reason or other. He did not talk to her as much as usual, and she was quite sure he paid very little attention to Faust.
But here the alarmed reader will be spared the succession of bad puns, peculiar to the printing-office, with which this specimen was followed, and which has probably been to some extent indulged in by every disciple of Faust more or less in love, since Adam worked off the first proof of his breakfast bill-of-fare, on the original hand-press, in one corner of the Garden of Eden.
And say, Faust, in future when I want you to do any betting on my horses, on my account, you know, I'll tell you. Understand? You needn't worry, that is other people. I'll tell you myself." "I didn't mean " Faust had started to try a plausible explanation, but Crane stopped him. "Never mind; the matter is closed out now."
Of the performance of the "Faust" overture I had heard nothing beyond your own brief notice. I cannot be angry with this composition, although many detached things in it would not now flow from my pen; especially the somewhat too plentiful brass is no longer to my mind.
I differ therefore widely from the author's biographer and son-in-law in thinking it a work of the greatest weight and value, offering striking analogies with Goethe's Faust; and still more widely from a critic whom Mr. Lathrop quotes, who regards a certain portion of it as "one of the very greatest triumphs in all literature."
If he can make them read this body of intensely human, essentially simple and direct dramatic and lyrical work, he will help to bring about the time when the once popular attitude will seem as unjustifiable as to judge Goethe only by the second part of 'Faust.
In an ordinary way this effect of grandeur is produced either by some heroic action surrounded by circumstances of worthy stateliness, as in the finest of the Greek plays; or as in Paradise Lost by the presence of personages of majestic sublimity of bearing and association; or as in Faust or Hamlet by the stupendous moral abysses which the poet discloses fitfully on this side and that.
He also practised portrait painting, at the same time gathering experience and earning honest money. He gradually improved in drawing, colouring, and composition. The 'Baptism' marked a new epoch in his career, and from that point he went on advancing, until his fame culminated in his pictures illustrative of 'Faust, his 'Francisca de Rimini, 'Christ the Consoler, the 'Holy Women, 'St.
Inasmuch as Wagner's art bears us, from time to time, beyond itself, we are enabled to get a general view of its uniform character: we see Goethe and Leopardi as the last great stragglers of the Italian philologist-poets, Faust as the incarnation of a most unpopular problem, in the form of a man of theory thirsting for life; even Goethe's song is an imitation of the song of the people rather than a standard set before them to which they are expected to attain, and the poet knew very well how truly he spoke when he seriously assured his adherents: "My compositions cannot become popular; he who hopes and strives to make them so is mistaken."
Then came Schumann's Traumerei on the strings, Handel's Largo, Grieg's Papillon, and a ballade by Chaminade. Then again sang the prima-donna; old folksy songs, sketches from the operas grand and light, Faust, The Barber of Seville, La Fille de Madame Angot. In all his days Warburton had never heard such music. Doubtless he had even better; only at this period he was in love.
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