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Oh, my son, my son, Horrour it selfe upon the wings of Death, Stretcht to the uttermost expansion Over the wounded body of an Army, Could never carry an aspect like this, This murthering spectacle, this field of paper Stucke all with Basiliskes eyes. Read but this word, 'The ravisht Eleonora! does't not seeme Like a full cloud of bloud ready to burst And fall upon our heads? Man.

The character and history of his third wife are peculiarly illustrative of the kind of religion inculcated in that day, and of the beautiful spirit of piety often exemplified in the midst of melancholy errors. In the castle of her father, Eleonora was taught, by priests and nuns, that God was only acceptably worshiped by self-sacrifice and mortification.

I have spoken of the face as the chief equipment of the actor. Sarah Bernhardt contradicts this at once. Her face does little for her. Her walk is not much. Nothing about her is more remarkable than the way she gets about the stage without one ever seeing her move. By what magic does she triumph without two of the richest possessions that an actress can have? Eleonora Duse has them.

The superb head has, it must be confessed, more grandeur and energy than true individuality or life. The companion picture represents Eleonora Gonzaga seated near an open window, wearing a sombre but magnificent costume, and, completing it, one of those turbans with which the patrician ladies of North Italy, other than those of Venice, habitually crowned their locks.

A girl a young lady. That was evident, as Rosamond panted out, "I beg your pardon!" and the next moment there was the exclamation, "Mr. Julius Charnock! You don't remember me? Eleonora Vivian!" "Miss Vivian! you have the advantage of me," said Julius, a little stiffly. "Let me introduce my wife."

The room was large and fairly comfortable, but contained nothing breakable, having been tenanted at one time by a strenuous lunatic, who had considerately died after his immediate family and relations had worn themselves into their several graves, taking care of him. But Eleonora Harrigan knew nothing of the history of the room while she occupied it.

English players do not represent certain foreign characters as well as do the foreigners. Is this surprising? They are handicapped, obviously. How often have we seen a French, German or Italian performance of an English play concerning English people? Was the great Eleonora as painfully truthful as Mrs Patrick Campbell in The Second Mrs Tanqueray?

"Now, boys, away with you; I must have a little quiet, to repair myself for company after dinner." Charlie settled her cushions with womanly skill, and followed his brother. "Well, Frank, which is the White Cat? Ah, I thought so she's yet to come." "Not one is fit to hold a candle to her. You saw that as plain as I did, Charlie; Eleonora beats them all."

Francesco Maria had espoused Eleonora Gonzaga, the sister of Titian's protector, Federigo, and it is probably through the latter that the relations with our master sprang up to which we owe a small group of his very finest works, including the so-called Venus of Urbino of the Tribuna, the Girl in a Fur Cloak of the Vienna Gallery, and the companion portraits of Francesco Maria and Eleonora which are now in the Venetian Gallery at the Uffizi.

"See how they love her!" cried Jenny, hotly. "Camilla thinks that abject; but I can't forget how Frank talked of her in those happy Rockpier days." "When you first knew him?" said Jenny. They must have come at length to the real point, for Eleonora began at once "Yes; he was with his sick friend, and we were so happy; and now he is being shamefully used, and I don't know what to do!"