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"Well! no," said Risler, inspired by heroic courage, which he owed principally to the proximity of the factory and to the thought that the welfare of his family was at stake. Delobelle was astounded. He had believed that the business was as good as done, and he stared at his companion, intensely agitated, his eyes as big as saucers, and rolling his papers in his hand.

Mamma Delobelle had laid aside her work, and, before closing the window, leaned upon the sill listening to all these noises of a great toiling city, taking delight in walking through the streets when its day's work was ended. From time to time she spoke to her daughter, without turning her head. "Ah! there's Monsieur Sigismond. How early he leaves the factory to-night!

Mamma Delobelle had gone out, proud enough to show herself for once in public with her great man, and leaving friend Frantz with her daughter to keep her company.

There was nothing very extraordinary in the presence of the illustrious Delobelle at a cafe concert, as he spent all his evenings away from home; and yet the old cashier felt vaguely disturbed, especially when he discovered in the same row a blue cape and a pair of steely eyes. It was Madame Dobson, the sentimental singing-teacher.

Why did she seek to destroy herself? Come, woman Delobelle, answer, why was it? But the woman Delobelle obstinately declined to answer. It seemed to her that it would put a stigma upon her love to avow it in such a place. "I don't know I don't know," she whispered, shivering.

"My name doesn't belong to me. It is a part of the firm. I have no right to pledge it. Imagine my going into bankruptcy!" His voice trembled as he uttered the word. "But if everything is in my name," said Delobelle, who had no superstition. He tried everything, invoked the sacred interests of art, went so far as to mention the fascinating actresses whose alluring glances Risler laughed aloud.

The illustrious Delobelle, disgusted to see that no one called upon him for anything, decided to call upon himself for something, and began in a voice as resonant as a gong the monologue from Ruy Blas: "Good appetite, Messieurs!" while the guests thronged to the buffet, spread with chocolate and glasses of punch.

Her parents would take her in, doubtless; but she could already hear Madame Chebe's lamentations and the little man's sermon under three heads. Thereupon she thought of Delobelle, her old Delobelle.

On his arrival at Paris, being sadly perplexed as to the installation of his little household, Guillaume had derived from his neighbors, Mesdames Chebe and Delobelle, advice and information which were an indispensable aid to that ingenuous, timid, somewhat heavy youth, embarrassed by his foreign accent and manner.

Each divined for whom the other was waiting, and they did not try to deceive each other. "Isn't my son-in-law here?" asked M. Chebe, eying the documents spread over the table, and emphasizing the words "my son-in-law," to indicate that Risler belonged to him and to nobody else. "I am waiting for him," Delobelle replied, gathering up his papers.