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But in the march of the human mind nothing now remains of the Ambrosian chant in its purity, save the "Exultet," as it is called, which is a hymn sung in the Latin Church during the blessing of the Paschal candle on Holy Saturday. Large numbers of his poetic compositions still remain, and are found for the most part in the Roman breviary.

TheCow in a Stable,” by Mauve, contains by his management of this rude and simple subject all the possibilities opened to and demanded by compositions involving many elements. It might stand as the light and dark scheme for some of the allegories of Rubens, Wiertz or Correggio, or for many genre interiors, or for anarrangementof flowers.

Dithyrambs upon the birth of the King of Rome were composed in every language of Europe except the English. There was a real avalanche of poems, odes, epistles; in less than a week the Emperor received more than two thousand of these tributes. Probably he read very few of these extravagant compositions, which were crammed panegyrics and allegories of the Greek mythology.

Early trained to the exactions and restrictions of rules, having produced compositions filled with beauty when subjected to all their fetters, he never shook them off without an appropriate cause and after due reflection.

He wrote also two romantic poems, in which he first introduced the ottava rima, or the stanza composed of six lines, which rhyme interchangeably with each other, and are followed by a couplet. In these he strove to revive ancient mythology, and to identify it with modern literature. His Latin compositions are voluminous, and materially contributed to the advancement of letters.

In England, in those old days, men lived in the woods and forests out-of- doors and were occupied with manual works. They had no opportunities of polishing their discourse, or their literary compositions. At this hour, in remote parts of the great continent of America, the pioneers of modern civilisation may be said to live amid medieval surroundings.

There is in most of his compositions a calmness and equability, deliberate and cautious, sometimes with little that delights, but seldom with anything that offends. Of this kind seem to be his poems to Dryden, to Somers, and to the King. His ode on St. Cecilia has been imitated by Pope, and has something in it of Dryden's vigour.

Each of these three compositions must, of course, have been designed by one master-artist and executed by or with the help of subordinate artists or workmen. Now the pediment-groups, so far as preserved, strongly suggest a single presiding genius for both, and there is no difficulty in ascribing the design of the frieze to the same artist. Was it Phidias?

"M. Bull played compositions by Spohr, Mayseder, and Paganini without understanding the true character of the music, which he marred by adding something of his own. It is quite obvious that what he adds comes from genuine and original talent, from his own musical individuality; but he is not master of himself; he has no style; he is an untrained musician.

The Spartans used slaves. We shall make machines our helots. Indeed, so odious is co-operation to a free mind, that Godwin marvels that men can consent to play music in concert, or can demean themselves to execute another man's compositions, while to act a part in a play amounts almost to an offence against sincerity.