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The general result of the reasoning which we now have quoted, and what follows in his examination, seems to terminate in this; that there are various different compositions of mountains which this author cannot allow to be the production of the sea; but it is not upon account of the matter of which they are formed, or of the particular mixture and composition of those species of matter, of which the variety is almost indefinite.
It may be remarked, in passing, that the number of compositions in which the word "beauteous" was over-fondled, and human experience referred to as "life's page," was up to the usual average. Now the master, mellow almost to the verge of geniality, put his chair aside, turned his back to the audience, and began to draw a map of America on the blackboard, to exercise the geography class upon.
She confessed frankly that she saw no merit in any portrait beyond the likeness. When she went to the Louvre, she would run hastily over all the little "genre" pictures, and come out, as she acknowledged, without having once raised her eyes to the grand compositions.
Many of these tablets containing Neo-Babylonian copies of earlier literary texts are preserved in the British Museum, and have been recently published, and we have thus recovered some of the principal grammatical, religious, and magical compositions of the earlier Babylonian period. Between The Mound Of The Kasr And Tell Amran Ibn-Ali, Showing A Section Of The Paved Sacred Way.
That Signorelli, if he chose to do so, could represent a classic myth with more of classic feeling, is shown by his picture of "Pan Listening to Olympus" . The nymph, the vineleaf-girdled Faun, and the two shepherds, all undraped and drawn with subtle feeling for the melodies of line, render this work one of his most successful compositions.
The day's work was over, and it was late in the evening, when she sat down, tired and faint, with a great bundle of girls' themes or compositions to read over before she could rest her weary head on the pillow of her narrow trundle-bed, and forget for a while the treadmill stair of labor she was daily climbing. How she dreaded this most forlorn of all a teacher's tasks!
Both observed that the brush-case of agate and the lion of jade bore the appearance of objects that had lain buried in the earth for centuries, and were of a workmanship beyond the power of living man to imitate; while the compositions proved to be veritable master-pieces of poetry, written in the style of the poets of the dynasty of Thang.
Do you mean to say he does not study his subject? does he not make sketches? does he not even call them “studies”? does he not call his workroom a studio? is he not ever designing, rejecting, adopting, correcting, perfecting? Are not the first attempts of Michael Angelo and Raffaelle extant, in the case of some of their most celebrated compositions?
Whoever only reads in order to transcribe wise and shining remarks, without entering into the genius and spirit of the author, as it is probable he will make no very judicious extract, so he will be apt to trust to that collection in all his compositions, and be misled out of the regular way of thinking, in order to introduce those materials, which he has been at the pains to gather and the product of all this will be found a manifest incoherent piece of patchwork.
If we can induce reactions, day by day, to beautiful or sublime passages in literature, in due time the spirit will refuse to react to what is shoddy and commonplace. By inducing reactions to increasingly better musical compositions, day after day, we finally inculcate the habit of reacting only to high-grade music, and the lower type makes no appeal.
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