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All is as unsubstantial, as vague and shadowy, as Coleridge's "image of a rock," or Bishop Berkeley's "ghost of a departed quantity," as he once defined a fluxion.

Wordsworth, Lyrical Ballads Mr. Wordsworth caballed against Disasters attending a dinner with Mr. Wordsworth Mr. Coleridge and Mr. Wordsworth depart for Germany Mr. Coleridge's character of Mr. Southey Mr. Southey marries Miss Edith Fricker Three letters of Mr. Southey, from Falmouth and Portugal Sundry letters from Mr. Southey to Joseph Cottle George Dyer, and a ludicrous incident Mr.

But we refer to that one in particular which assumes that a single 'week' will suffice for the whole process of so mighty a revolution. Is indeed leviathan so tamed? In that case the quarantine of the opium-eater might be finished within Coleridge's time, and with Coleridge's romantic ease. But mark the contradictions of this extraordinary man.

"And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love, Doth work like madness in the brain. Each spoke words of high disdain And insult to his heart's best brother." COLERIDGE'S Christabel.

It consists of two volumes, the first of which is devoted to the exposition of the general principles of Coleridge's philosophy, while the second is entirely theological, and aims at indicating on principles for which the first volume has contended, the essential doctrines of Christianity. The earlier chapters of this volume Mr. In the second part of his first volume Mr.

Longman under the condition that the translation and the original should appear at the same time. Very few copies were sold, and the publishers, indifferent to Coleridge's advice to retain the unsold copies until the book should become fashionable, disposed of them as waste paper.

The picture merely represents the scene in Coleridge's poem where the Lady Christabel, having secretly and in pity brought to her room to share her bed the mysterious lady she had met in the forest at midnight, watches the beautiful witch undress, and is spell-bound and struck dumb by some "sight to dream of, not to tell," which she sees at the lady's bosom. Christabel!

This plate was evidently one of the Carceri set sixteen in all which the etcher improvised after some severe cerebral malady. What would we not give to have heard the poet of Kubla Khan describing the fantastic visions of the Venetian artist to the English opium eater! The eloquence of the prose passage we have transcribed has in it some faint echoes of Coleridge's golden rumble.

Coleridge's labours as a metaphysical philosopher? He once answered that question himself, in language never to be forgotten by those who heard it, and which, whatever may be conjectured of the probability or even possibility of its being fully realized, must be allowed to express the completest idea of a system of philosophy ever yet made public.

During his last nineteen years Coleridge found an asylum under the roof of Mr. James Gilman, of Highgate, near London, whither many of the best young men in England were accustomed to resort to listen to Coleridge's wonderful talk. Talk, indeed, was the medium through which he mainly influenced his generation. It cost him an effort to put his thoughts on paper.