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It was not his main idea that they disputed, so much as its desirability; they would appeal to Clerambault's better side: "Certainly, of course, I think as you do, or almost as you do; I understand what you mean; ... but you ought to be cautious, my dear friend, not to trouble the consciences of those who have to fight. You cannot always speak the truth, at least not all at once.

Moreau caught hold of Clerambault's arm and tried to drag him away, but he stopped, and looking at the laughing crowd, the absurdity of the situation struck him in his turn, and he too burst out laughing. "What an old fool I am!" said he to Moreau, who was still intent on getting him away.

When his sister had married Clerambault, Camus had not hesitated to find fault with the match; an unknown poet did not seem to him "serious" enough. They were "known," you see, and that made all the difference.... Just at this time Clerambault himself became "known," Camus read about him one day in his favourite paper, and after that he consented to read Clerambault's poems.

With the instinct of justice which characterises the human beast, and especially the female, they were held responsible for Clerambault's ideas, though his wife and daughter knew little of them and disapproved what they knew. You would have said that Clerambault had done something dishonest or immodest.

If he stopped making faces and stuffing for one moment, he might die of boredom and disgust at his own vacancy; but he is too clever for that, he will not stop to think until he dies splendidly, on his feet, like the Roman Emperor. No one could have told Thouron's real object when he went for the first time to Clerambault's house.

I don't know as I ever saw him so bad before." An agonised expression came over Clerambault's face, and at his gesture, the wounded man who had been looking at the ceiling while he talked, turned his eyes and understood, for he added at once: "He pulled himself together again, after that." "Tell me what he said to you, tell me everything," said Clerambault again taking his hand.

The long-sought answer finally came to Clerambault, almost unconsciously: "You must care for men more than for illusion, or even for truth." Clerambault's warm feelings were not reciprocated; and he was more attacked than ever, though for some months he had published nothing. In the autumn of 1917 the anger against him had risen to an unheard-of height.

Questions of general interest and political news came first, but they might as well have read the morning paper aloud. "The Crushing of the Huns," "The Triumph of the Right," filled Clerambault's thoughts and speeches, while he served as acolyte, and filled in the pauses with cum spiritu tuo. All the time each was waiting for the other to begin to talk.

The latter had been slow in gaining the mastery over his inward resources, and was so occupied in struggles with himself that he had no time for the conquest of the public. His first works, which were published with difficulty, were not read by more than a dozen people. It is only fair to Bertin to say that he was one of the dozen, and that he appreciated Clerambault's talents.

His boyish high spirits came back, and the shadow cleared away from Clerambault's face; he glanced simply and gratefully at Maxime. His alarms were not at an end, however. As they left the tea-shop he leaning on the arm of his son they met a military funeral.