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Scenes in which I had been principal actor came and went, as in a dream when the will slumbers: now with devilish ingenuity and persistence I was working on Managa's mind; now standing motionless in the forest listening for that sweet, mysterious melody; now staring aghast at old Cla-cla's wide-open glassy eyes and white hair dabbled in blood; then suddenly, in the cave at Riolama, I was fondly watching the slow return of life and colour to Rima's still face.

She was a very old woman, spare in figure, brown as old sun-baked leather, her face written over with innumerable wrinkles, and her long coarse hair perfectly white; yet she was exceedingly active, and seemed to do more work than any other woman in the community; more than that, when the day's toil was over and nothing remained for the others to do, then Cla-cla's night work would begin; and this was to talk all the others, or at all events all the men, to sleep.

No fancies and phantoms that night: the lidless, white, implacable eyes of the serpent's severed head were turned to dust at last; no sudden dream-glare lighted up old Cla-cla's wrinkled dead face and white, blood-dabbled locks; old Nuflo stayed beneath his green coverlet; nor did my mournful spirit-bride come to me to make my heart faint at the thought of immortality.