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She had visited the place two or three times and had always enjoyed it immensely there. It wasn't much of a farm, but there was a delightful old Revolutionary farmhouse on it, with ceilings seven feet high and casement windows, and the floors of all the rooms on different levels; and Galbraith, there, was always quite at his best.

Besides them he asked two painters, and the chief mosaic worker of the city, who all day long had been busied in restoring the old and faded pictures on the ceilings and pavements, and under the influence of good wine and cheerful chat they soon emptied the dishes and bowls and trenchers.

The elaborate, quaint, and, in some instances, beautiful style of ornament on the ceilings, the massive mouldings, and richly carved chimney-pieces, satisfy the observer that, in former days, they were the abodes of wealth and luxury. They are now tottering with age: the other day, the interior of one of them fell inwards. These houses may be entered, one after another, without intrusion.

Vaulted chambers here, narrow passages there, spider-ridden ceilings that awoke to life as the stooping visitors rustled beneath them, slimy walls and ringing floors, all went to make up the vast grave in which she was to bury all hope of escape.

These chambers may still be seen, with their low ceilings and panelled walls, very much to all appearance as when tenanted by Harry Fielding.

The Marchesa led a still, whispering existence, nun-like in her black robes and a white band over the forehead, in a corner of the first floor of an ancient and ruinous palace, whose big, empty halls downstairs sheltered under their painted ceilings the harvests, the fowls, and even the cattle, together with the whole family of the tenant farmer. The two young people had met in Lucca.

Irregularly shed among a forest of columns and arcades which supported the three naves of the cathedral, the gleam of these masses of candles barely lighted the immense building, because the strong shadows of the columns, projected among the galleries, produced fantastic forms which increased the darkness that already wrapped in gloom the arches, the vaulted ceilings, and the lateral chapels, always sombre, even at mid-day.

Spaciousness and magnificence increased. Ceilings rose in height, marble was softened by the thick pile of carpets. Mahogany and gold shone more luxuriously.

It is cut up, however, into small rooms and long, chilly corridors, which detract from its good effect. The entrance-hall is beneath the central dome and occupies the whole height of the structure, but it is only about thirty-five feet square, giving a sense of smallness. Frescoes decorate the walls and ceilings.

She guessed Madame Frabelle thought her rooms too plain, too colourless. Instead of the dull greys and blues, and surfaces without design, she felt sure her friend would have preferred gorgeous patterns, and even a good deal of gilt. Probably at heart Madame Frabelle's ideal was the crimson plush and stamped leather and fancy ceilings of the lounge in a foreign hotel.