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Belgium and Luxembourg were treated on the Bismarckian principle of "Might before Right," and the world rose against Germany. I say world, because England's power extended over the world. At the beginning of the war England stood at "order arms."
This man saw the present war; he saw that Belgium would be invaded by Germany; he saw that the Germans hated England with a profound and bitter hate; that German diplomatic blunders had placed that nation in almost complete isolation in the world; that the Triple Alliance was really only a Dual Alliance, popular feeling in Italy becoming increasingly hostile to Austria and to Prussia; that Germans felt their culture to be superior to the civilization of the rest of the world, and themselves to be a superior race, with the right to rule other peoples; that Prussianism and Junkerism and militarism were in complete control of the German soul; that Germany had ambitions for world empire, a recurrence of “the old Napoleonic dream”; that the danger to European peace lay with Germany and not with England; that Germans believed war to be essentially moral and the mainspring of national progress; that the whole German people had become Bismarckian; that the Germans hoped to obtain by a victory over England that shadowless place in the sun toward which they began to leap when they beat France in 1870.
And yet, it is probable that the cause lies otherwhere, and that the conjunction of these four men is accidental. There have been, after all, few environments really friendly to the artist; most of the masters have had to recover from a "something rotten in the state of Denmark," and many of them have surmounted conditions worse than those of modern Bismarckian Germany.
But the consequence of the Bismarckian tradition of bullying and browbeating one's opponents has been that of intensifying the opposition to the national policy and of compromising its success.
The invasion of Belgium and Luxembourg was a stroke of the Bismarckian policy of violence, not carried out by politicians but by generals who were devoid of Bismarck's power of calculating the devastating consequences.
Scarcely had she thus declared herself, when the Bismarckian head and shoulders of Von Glauben appeared above the protecting boulders; and moving with deliberate caution, the rest of his body came slowly after, till he stood fully declared in an attitude of military 'attention. He showed neither alarm nor confusion at seeing the King; on the contrary, the fixed, wooden expression of his countenance betokened some deeply- seated mental obstinacy, and he faced his Royal master with the utmost composure, lifting the slouched hat he wore with his usual stiff and soldierly dignity, though carefully avoiding the amazed stare of his friend, Sir Roger de Launay.
The world had gone mad; common sense was only moonshine after all; the elephant and the whale of Bismarckian parable were at it tooth and nail! Shells of all sizes flew hissing through the skies. Before my very eyes, the graves of those old Gods whom Christ had risen from the dead to destroy were shaking to the shock of Messrs. Armstrong's patent thunder bolts!
Now too much of the eulogy on a man like Kitchener tended to praise him not as a sword but as a poker. He happened to rise into his first fame at a time when much of the English Press and governing class was still entirely duped by Germany, and to some extent judged everything by a Bismarckian test of blood and iron.
"Oh!" She gave a little scream. "I thought you were studying the bees or the moles." "I have only been studying your graceful back." "How mean! Behind my back!" She laughed, pleased. "I hope you haven't discovered anything Bismarckian about my back." "Only in the sense that I followed it, and must follow till the path widens." "Ah, how you must hate following you, so terrible ambitious."
His was a Bismarckian nature, reminiscent of the Iron Chancellor alike physically and mentally. In appearance he recalls irresistibly the heroic figure of Bismarck, jack-booted and cuirassed at the Congress of Vienna, painted by von Werner. Heir to an old land-owning family, ennobled and entitled to bear the title Landgraf, Count von Zeppelin was a type of the German aristocrat.
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