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The history of literature can show poetic dictions special vocabularies and forms for poetry that have these qualities; the diction, for instance, of the Greek choruses, or of the Scottish poets who followed Chaucer, or of the troubadours. That of the classic writers of an Augustan age was not of such a kind.
The fiction of an age of simplicity and innocence found birth among the Augustan writers in the midst of the complex and luxurious civilization of Rome, as an illustration of the principle enunciated by Professer Raleigh, that 'literature has constantly the double tendency to negative the life around it, as well as to reproduce it. Having inspired Ovid and Vergil, and been recognized by Lucretius, it passed as a literary legacy to Boethius, Dante, and Jean de Meung; it was incorporated by Frezzi in his strange allegorical composition the Quadriregio, and was thrice handled by Chaucer; it was dealt with humorously by Cervantes in Don Quixote, and became the prey of the satirist in the hands of Juvenal, Bertini, and Hall.
Don't tell me I am grown old and peevish and supercilious name the geniuses of 1774, and I submit. The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St.
Thus punishment was clothed with divine authority. Effigies et signa. Images and standards, i.e. images, which serve for standards. Images of wild beasts are meant, cf. H. 4, 22: depromptae silvis lucisve ferarum imagines. Turmam, cavalry. Cuneum, infantry, but sometimes both. Conglobatio is found only in writers after the Augustan age and rarely in them. It occurs in Sen. Qu. Nat. 1, 15, cf.
Horace, Virgil, Ovid, Propertius, Tibullus, and Livy greatest of Latin poets and scholars belonged to the Augustan Age, a name since applied in France to the reign of Louis XIV., in England to that of Queen Anne. By REV. A. A. LAMBING, LL.D. Biographical history presents few characters more interesting either to the statesman or the churchman than that of St. Ambrose.
In China, a dawn twilight of half a cycle, sixty-five years, from the fall of Chow to the Revival of Literature under the second Han, preceded the glorious age of the Western Hans. In Rome, the literary currents were flowing for about a half-cycle before the accession of Augustus: that half-cycle formed a dawn-twilight preceding the glories of the Augustan Age.
A court, at which Pope and Swift, Young and Thomson were strangers, had precisely that share of Augustan splendor which enabled such as Eusden to shine lustrously. And so Eusden shone and wrote, and in the fulness of time September, 1730 died and was buried; and his laurel others desired. The leading claimants were Richard Savage and Colley Cibber.
The realistic tendency, the study of facts and of men as they are, is shown in the work of the Royal Society, in the philosophy of Hobbes and Locke, and in the diaries of Evelyn and Pepys, with their minute pictures of social life. The age was one of transition from the exuberance and vigor of Renaissance literature to the formality and polish of the Augustan Age.
The Augustan age furnishes a series of brilliant poets who united the artificial elegiac with the expression of real feeling; and one of them, Ovid, has by his exquisite formal polish raised the Latin elegiac couplet to a popularity unparalleled in imitative literature.
To the close of the Republic the law was the sole field for all ability except the special talent of a capacity for generalship. But a new stage of intellectual progress began with the Augustan age, as it did with our own Elizabethan era.
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