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At present, I am engaged in a business which I deem far more respectable and lucrative than lecturing, to wit, explaining the merits and advantages of a patent needle-threader to interested crowds on Broadway. Here my oratorical abilities are advantageously displayed, my audiences are attentive, and my profits are good.

You may observe this, for example, in the diverse ways in which he addresses different audiences. In one town he has to address a congregation of Jews; in another a gathering of heathen rustics; in a third a crowd of philosophers.

The statement of the issues will bring out the importance of closely limiting the number of main issues. There are few subjects of argument which do not conceivably touch the interests and beliefs of their audiences in many directions; but out of these aspects some obviously count far more than others.

Ordinarily, they were afraid of my severity although this severity was tempered. One day one of the parish vicars undertook to instruct me on this point. He told me that the Madeleine audiences were composed in the main of wealthy people who attended the Opéra-Comique frequently, and formed musical tastes which ought to be respected.

They were written in such a novel style, both vocal and instrumental, that the singers, players, and conductors found it difficult to perform them correctly, the consequence being that they did not specially impress the audiences, which, moreover, were bewildered by finding themselves listening to works so radically different from what they had been accustomed to in the opera-houses.

Handel's triumph was now about to culminate in a serene and acknowledged preeminence. The people had recognized his greatness, and the reaction at last conquered all classes. Publishers vied with each other in producing his works, and their performance was greeted with great audiences and enthusiastic applause. His last ten years were a peaceful and beautiful ending of a stormy career.

There was neither any prudery in the plays or the players, and the audiences in behavior were no better than the plays. The actors were all men. The female parts were taken usually by boys, but frequently by grown men, and when Juliet or Desdemona was announced, a giant would stride upon the stage.

Did you speak with the Duke of Savoy in person?" "Yes, your highness, he was so kind as to grant me two audiences. I related to him the entire history of your embarrassments, and their cause. I told him of the sequestration of your estates by the covetous King of France, and of the debts which this act of injustice had compelled you to leave in Paris.

The spittoon, which His Worship required continually during the audiences, was wont to be placed immediately below this latter picture; it was the magistrate's polite freemasonish method of expressing his reverence for the Mother of God. Everybody noticed that on the present occasion this piece of furniture was located elsewhere. It stood below the Sovereign's portrait.

By introducing into the lightest and most popular programmes some short selection from the great masters of violin music, Madam Urso has gradually taught her audiences what they should admire, and, by persistent and gentle urging, she has led them to a knowledge of the best and highest in art. In this Madam Urso is not alone.