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Among recent sculpture, one of the most interesting works shown is a group by C. L. Pietro, of New York, "The Mother of the Dead," a powerful story in bronze of the burden which the war has brought to woman. Another human tragedy is well told in "The Outcast," a graphic figure by Attilio Piccirilli. The honor-winners in sculpture are named in the following list. Awards

And afterwards there came love letters, furtively exchanged in church, and the winning-over of maids to facilitate stolen meetings, at first so innocent. In the end, a marriage often resulted. Celia, for her part, had determined to win Attilio on the very first day when their eyes had met.

Living in New York in truly Florentine style is the Piccirilli family a household of five families. It is said that nowhere in America is the old Florentine style of the fourteenth century way of living so well exemplified. The men of the family were marble cutters, but within the last few years Attilio, an elder brother, has been expressing himself in sculpture of a pronounced order.

Standing there in uniform, Attilio, so young, so energetic and brave of appearance, with a frank countenance softly illumined by blue eyes like his mother's, at once pleased the priest. He seemed indeed the very personification of youth and love, with all their enthusiastic, disinterested hope in the future. "You'll see by and by, when we pass the palace again," said Dario.

Standing there in uniform, Attilio, so young, so energetic and brave of appearance, with a frank countenance softly illumined by blue eyes like his mother's, at once pleased the priest. He seemed indeed the very personification of youth and love, with all their enthusiastic, disinterested hope in the future. "You'll see by and by, when we pass the palace again," said Dario.

Not that I love the saints. But I love the police still less." "Like every good Italian." "Like every good Italian...." News from Attilio. He cannot come. Both mother and sister are ill.

Then, too, the Prince had made inquiries respecting the son, and was somewhat disarmed by the good looks, bravery, and rectitude of young Attilio, who represented the future, and possibly the glorious Italy of to-morrow. He was a soldier, and could be helped forward to the highest rank.

And now look up at the third window on the first floor." It was at once rapid and charming. Pierre saw the curtain slightly drawn aside and Celia's gentle face appear. Closed, candid lily, she did not smile, she did not move. Nothing could be read on those pure lips, or in those clear but fathomless eyes of hers. Yet she was taking Attilio to herself, and giving herself to him without reserve.

Had she not already done enough in bearing him five children? She thought so; and now she spent her time in worshipping herself, letting Celia do as she listed, and taking no further interest in the household through which swept stormy gusts. However, the carriage was again about to pass the Buongiovanni mansion, and Dario forewarned Pierre. "You see," said he, "Attilio has come back.

Then, too, the Prince had made inquiries respecting the son, and was somewhat disarmed by the good looks, bravery, and rectitude of young Attilio, who represented the future, and possibly the glorious Italy of to-morrow. He was a soldier, and could be helped forward to the highest rank.