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The other two at least have the virtue of native architecture. In the main palace the central structure is white with gilded cupolas, and smaller pavilions at the side have roofs of green. The whole is surrounded by an eight-foot stockade of white posts trimmed with red. The Hutukhtu seldom leaves his palace now, for he is old and sick and almost blind.

Until about 150 B.C. all the buildings of Rome were constructed either of brick or the local stone; and though we hear nothing of architecture as a fine art, we cannot hesitate to admit that during this period the Romans carried the art of construction, and especially that of employing materials of small dimensions and readily obtainable, in buildings of great size, to a remarkable pitch of perfection.

Through his friendship with Flavio Biondo, the famous Roman antiquary, Alberti received an introduction to Nicholas V. at the time when this, the first great Pope of the Renaissance, was engaged in rebuilding the palaces and fortifications of Rome. Nicholas discerned the genius of the man, and employed him as his chief counsellor in all matters of architecture.

They were returning towards the abbey, when struck by the appearance of some majestic columns which were distinguishable between the trees, they paused. Curiosity tempted them to examine to what edifice pillars of such magnificent architecture could belong, in a scene so rude, and they went on.

The rugged architecture of lofty mountains, the aspect of tumbling waterfalls, noble rivers, glowing sunsets, broad land and sea-views each of these has a special, never-tiring and impressive individuality.

I see that the sine quo nons, kallibistris, or contrapunctums of the women of this country are better cheap than stones. Of them should the walls be built, ranging them in good symmetry by the rules of architecture, and placing the largest in the first ranks, then sloping downwards ridge-wise, like the back of an ass.

The abstract beauty of architecture can be understood without any knowledge of the purposes of buildings. A Hindu who knows nothing of our civilization cannot fail to be responsive to Notre Dame, any more than we can fail to admire the beauty of Taj Mahal.

It has been observed in a former chapter that the whole character of the Assyrian architecture is such as to indicate that their style was formed in the low flat alluvium, where there were no natural elevations, and stone was not to be had.

We will therefore be at some pains to discriminate. Here comes a lonely rich man: he has built a noble fabric for his dwelling-house, with a front of stately architecture and marble floors and doors of precious woods; the whole structure is as beautiful as a dream and as substantial as the native rock.

The streets, though generally narrow, are rendered picturesque by several old houses, the architecture of which is striking; and the place for even St.-Rémy has its Place Publique and Hôtel-de-Ville is not without pretensions to ornament. In the centre of this place is a pretty fountain, of a pyramidal form.