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Andrea's throat hurt him now, he said. He had been forbidden to interpret any more. Weedie mourned the defection of Andrea. It had, he felt, made a difference, not only in the size but the responsiveness of his audiences. Sometimes he even felt they came to be amused, or to lull his possible suspicion of having lost their old allegiance. But they came.

What emerged was a good deal like the shy Maurice Korust, who accompanied his brother at the music-hall, but whose distaste for these gatherings had been Andrea's continual lament. The Baron de Grost stepped back once more against the wall. His host was certainly looking dangerous. Mademoiselle Celaire was leaning forward, staring through the gloom with distended eyes.

An occasion might arise when he would be forced to action; should this happen Dragut had not forgotten his four years in the galley of Jannetin Doria, the nephew of the admiral, and next time he intended to fight to win. Just at present the Christian admiral was in too great strength for him to do aught but keep out of his way, and much to Andrea's annoyance this was what he succeeded in doing.

The whole picture very charming and easy, with the pleasantest colouring imaginable and pretty details, such as the washing of the baby and the boy warming his hands, while of the two women in the foreground, that on the left, facing the spectator, is a portrait of Andrea's wife, Lucrezia.

During Andrea's absence the house in Via S. Sebastiano, behind the Annunziata, was being prepared under her superintendence and with his sanction. His scholars had decorated the walls and ceilings with frescoes, and no doubt Lucrezia was as anxious for him to see the new house as he was to adorn her with Parisian brocades and jewellery.

But you may call me a boat and take me down to it, as you are so kind." "With pleasure, Signora." He went to the open window. At once the boatman's cry rose up. "Barca! Barca!" "That is Andrea's voice," said the Marchesino. "I know him. Barca si!" The boat began to glide in towards the land. As they went out the Marchesino said: "And how is the Signorina?" "Very well."

A few years after, the siege being over, and the Medici re-instated, he again took the Holy Family to Ottaviano, who was so delighted that he paid him double the price for it. Ottaviano also bought from Carlo Ginori a Madonna and S. Job, a nude half figure, which were by Andrea's hand.

Gradually the pigeon ceased to struggle, and while not in the least understanding what it was all about, snuggled close to Andrea's breast, putting his head confidingly inside his soldier's coat. "And, Chico," the boy went on, "you must do your part, no matter what happens. And, if you" he choked a little at the thought "and if you should never come back, it will be for Venice, and for Italy.

When it was over, Jeff waited for Anne and Lydia, to carry home their parcels. He stood for a moment beside Andrea, and Andrea regarded him with that absurd devotion he exuded for The Prisoner. Jeff smiled at him even affectionately, though quizzically. He wished he knew what picture of him was under Andrea's skull. A sudden impulse seized him to make the man his confidant.

We seem to understand the clear calm majesty of Lionardo's manner, the silver-grey harmonies and smooth facility of Andrea's Madonnas, the better for looking at their faces drawn by their own hands at Florence. And if this be the case with a dumb picture, how far higher must be the interest and importance of the written life of a known author!