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And when a foreigner and a Frenchman writes thus of Shakespeare, and when Goethe says of Milton, in whom there was so much to repel Goethe rather than to attract him, that "nothing has been ever done so entirely in the sense of the Greeks as Samson Agonistes," and that "Milton is in very truth a poet whom we must treat with all reverence," then we understand what constitutes a European recognition of poets and poetry as contradistinguished from a merely national recognition, and that in favor both of Milton and of Shakespeare the judgment of the high court of appeal has finally gone.
In Samson Agonistes Milton turns to a more vital and personal theme, and his genius transfigures the story of Samson, the mighty champion of Israel, now blind and scorned, working as a slave among the Philistines. The poet's aim was to present in English a pure tragedy, with all the passion and restraint which marked the old Greek dramas.
Out of his blindness, out of his loneliness, out of the welter of hedonists and amorists and feminists and fantasists who crowded upon him, the great, terrible egoist strikes his last blow! No one can read Samson Agonistes without being moved, and those who look deepest into our present age may well be moved the most!
Thyrsis would think of the "Song of Roland", recalling that heroic figure and his three days' labor: when he had read that poem, his heart had seemed to throb with pain every time that Roland lifted his sword-arm. He would think of the old blind "Samson Agonistes"; he would think of the Greeks at Thermopylae, of the siege of Haarlem.
MILTON'S LATER POETRY. Undoubtedly the noblest of Milton's works, written when he was blind and suffering, are Paradise Lost, Paradise Regained, and Samson Agonistes. The first is the greatest, indeed the only generally acknowledged epic in our literature since Beowulf; the last is the most perfect specimen of a drama after the Greek method in our language.
We hardly need name "Paradise Lost," or "Samson Agonistes," or the "Cain" of Byron, the "Hadad" of Hillhouse, or Mrs. More's "David and Goliah." "Pilgrim's Progress" has a Scriptural basis. Moreover, if we may trust the best critics, certain portions of the sacred volume are conceived in a dramatic spirit, and are propounded to a dramatic interpretation. John.
His ideas of woman having been formed in the light of the old dispensation, he had not given his three daughters such an education as might have led them to take a sympathetic interest in his work. They accordingly resented his calling on them for help. During this period of his life, when he was totally blind, he wrote Paradise Lost, Paradise Regained, and Samson Agonistes.
Paradise Regained and Samson Agonistes. After finishing Paradise Lost, Milton wrote two more poems, which he published in 1671. Paradise Regained is in great part a paraphrase of the first eleven verses of the fourth chapters of St. Matthew. The poem is in four books of blank verse and contains 2070 lines.
In 1670 Milton published his "History of Britain," from the fabulous period of the Norman Conquest. And in the same year he published in one volume "Paradise Regained" and "Samson Agonistes." It has been currently asserted that Milton preferred the "Paradise Regained" to "Paradise Lost."
But if you'd rather gorge down your food like a wild beast in a cavern without the civilising accompaniment of intellectual conversation, you can. I shan't mind. I may perhaps say, however, that everybody doesn't share your tastes. Sir Gilbert Hawkesby welcomed what I had to say about Milton at lunch to-day, and showed that he'd not only read 'Samson Agonistes, but "
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