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Updated: August 3, 2024
This remonstrance is very true; but it very little concerns me: "Non recito cuiquam, nisi amicis, idque coactus; Non ubivis, coramve quibuslibet, in medio qui Scripta foro recitant, sunt multi, quique lavantes."
Tredici volte si recito il dramma, e sempre segui l'effetto stesso universalmente: di che era segno palpabile il sommo previo silenzio, con cui l'uditorio tutto si apparechiava a goderne l'effetto." The line of recitative has unfortunately not been preserved; nor is it known what the opera, or whose the music, which produced an effect which may not be inaptly described in the words of Byron:
The recitations thus served the purpose of the modern reviews. They affixed to each new work the critic's verdict, and assigned to it its place among the list of candidates for fame. No sooner was the practice introduced than it became popular. Horace already complains of it, and declares that he will not indulge it: "Non recito cuiquam nisi amicis, idque coactus, Non ubivis coramve quibuslibet."
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