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He has, to be sure, essayed a negative definition of realism: "Realistic fiction is that which does not shrink from the commonplace or from the unpleasant in its effort to depict things as they are, life as it is." Does not "The Brushwood Boy," although it suggests the super-actual, set forth a common truth of the most intimate human relationship, which every lover recognizes as real?
He has, to be sure, essayed a negative definition of realism: "Realistic fiction is that which does not shrink from the commonplace or from the unpleasant in its effort to depict things as they are, life as it is." Does not "The Brushwood Boy," although it suggests the super-actual, set forth a common truth of the most intimate human relationship, which every lover recognizes as real?
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