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This Scealuidhe, as the Irish call him, opens the drama with an extempore prayer, proving that he and the audience are good Moslems; he speaks slowly and with emphasis, varying the diction with breaks of animation, abundant action and the most comical grimace: he advances, retires, and wheels about, illustrating every point with pantomime; and his features, voice and gestures are so expressive that even Europeans who cannot understand a word of Arabic, divine the meaning of his tale.
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