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And, for a delineation of what that lot of woman really is, as made for her, there is nothing in all literature equal to what we find in “Middlemarch,” “Romola,” “Daniel Deronda,” and “Janet’s Repentance.” “She was a woman, and could not make her own lot.” Never before, indeed, was so much got out of the word “lot.” Never was that little word so hard worked, or well worked. “We women,” says Gwendolen Harleth, “must stay where we grow, or where the gardeners like to transplant us.
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