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Nearly fifty years after it was painted, while Jacopo d'Empoli was copying this fresco, an old woman came through the courtyard to mass, and, stopping to watch the young artist at his work, began to talk of the days of her youth and beauty when she sat for the likeness of that natural figure in the midst, no doubt sighing as she looked at the freshness of the fresco, and thought of her many wrinkles and aged limbs, she being nearly fourscore at the time.
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