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It is like turning from the landscape in the parlor to the ploughed field outdoors. It is a return to the three dimensional world, after a sojourn in the painter's portrayal of his own emotional response to his own inattentive memory of what he imagines he ought to have seen. Zeitschr, f. Arztl. Psychoanalyse, 1913. Translated and republished by Dr.
<1> F. Weinmann, Zeitschr. f. Psychol., Bd. 35, p. 360. It is from this point of view that we can see the cogency of Gurney's remark, that when music seems to be yearning for unutterable things, it is really yearning only for the next note.