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No account of the Temple would be complete without some mention of its many curious sundials. Each garden possesses a plain pillar-dial. There is one in Temple Lane with the motto, "Pereunt et imputantur," and "Vestigia nulla retrorsum" appears on another in Essex Court.
At first I didn't think of getting up. Then I knew, all of a sudden, that I could open the door and go out. I was in the garden in three seconds, listening to the birds and watching the clouds rising over Nulla Mountain. That morning, after breakfast, I saw two people, a man and a woman, come riding up to the garden gate. I knew who it was as far as I could see 'em George Storefield and Gracey.
Beneath the arms of de Monts was placed this inscription: Dabit Deus his quoque finem. The arms of Poutrincourt were wreathed with crowns of leaves, with his motto: In via virtuti nulla est via. Lescarbot had composed a short drama for the occasion, entitled, Le Théâtre de Neptune. The winter of 1606-07 was not very severe.
The Lords amended it to death, and sent it back to the Commons the poor and pithless shadow of its former self. Restored to life in the Lower House, it was again presented for the acceptance of the peers. Again they struck at its vitality, but the Commons said, Nulla vestigia retrorsum.
Substance is defined by the concept of independence as res quae ita existit, ut nulla alia re indigeat ad existendum; a pregnant definition with which the concept of substance gains the leadership in metaphysics, which it held till the time of Hume and Kant, sharing it then with the conception of cause or, rather, relinquishing it to the latter.
Nicholaus del Techo, in Literis ex Paraquaria, de Caiguarum Conversione, has these words: Reperi eam gentem nullum nomen habere quod Deum, et hominis animam significet; nulla sacra habet, nulla idola.
The first and indispensable requisite of happiness is a clear conscience, unsullied by the reproach or remembrance of an unworthy action. Hic murus aheneus esto, Nil conscire sibi, nulla pallescere culpa.
They consisted of a tapestry with garlands of flowers, and medallions. In each medallion were the letters S.P.Q.R. and various epicurean phrases of the Romans: "Carpe diem. Post mortem nulla voluptas," et cetera. "Beautiful decoration, but very cold," said Caesar. "I should prefer rather fewer mottoes and a little more warmth." "You are very hard to please," retorted Laura.
M. d'Harcourt was urged to ask her some questions, but he replied in the words of Horace, 'Nulla mihi religio est'. Then Hedvig turned to me and asked me to put her some hard question, "something difficult, which you don't know yourself." "I shall be delighted. Do you grant that a god possesses in a supreme degree the qualities of man?" "Yes, excepting man's weaknesses."
At contra, hunc ignem Veneris, si non Venus ipsa, Nulla est quae possit vis alia opprimare." We have quoted these pieces, not from their intrinsic merit, for they have little or none, but to show the painful process by which Latin versification was elaborated. All these must be referred to a date at least sixty years after Ennius, and yet the rhythm is scarcely at all improved.
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