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But the fire-machine of our primeval ancestors, the holy sacrificial altar with blazing flames, the holy soma-tree, or tree of life, and the rosa mystica, are also very frequently met with here.

I suggest that he may represent the ideal candidate in the mystery of initiation that is to say, he who, by entering into himself, has attained to the "unio mystica," has raised up the "Man" within himself, has been "reborn" as a god in Divine consciousness, and so is qualified to hand on the vital processes of the Gnôsis to others, becoming thereby their spiritual parent.

This is the only practice in Divinity. Also, Mystica Theologia Dionysii is a mere fable, and a lie, like to Plato's Fables. Omnia sunt non ens, et omnia sunt ens-All is something, and all is nothing; and so he leaveth all hanging in frivolous and idle sort.

Orthodox Christology satisfies the requirements of the soul. Man's chief spiritual need is access to God through "a daysman that might lay his hand upon both." An exemplar, even though perfect, is not adequate to his need. The unio mystica can only be experienced by the leisured few.

Indeed, it must have been a great labor that was expended on the darkening and spicing and sharpening of the style in certain of his orchestral poems; the effort to create a new idiom based on the Gregorian modes, to which "Hora mystica" and the recent work for string quartet bear witness, must in itself have been large.

"Magni doctores scholastici, si non sint spirituales, vel omni rerum spiritualium experientia careant, non solent esse magistri spirituales idonei nam theologia scholastica est perfectio intellectus; mystica, perfectio intellectus et voluntatis: unde bonus theologus scholasticus potest esse malus theologus mysticus.

His compositions include: Suite for violin and orchestra, "Les Viellées de l'Ukraine," 1891; Concerto for cello, 1894; Divertissement for orchestra, 1895; "La Mort de Tintagiles," 1897; "Divertissement espagnol" for orchestra and saxaphone; "La Villanelle du Diable"; "A Pagan Poem"; "Hora mystica"; "Psalm 137"; "To One Who Fell in Battle"; Two rhapsodies for oboe, viola and pianoforte; String-sextet; String-quartet; Music for Four Stringed Instruments; Songs on poems by Baudelaire, Verlaine, Yeats, Rossetti, Lodge, Kahn, etc.

In the parable the unio mystica appears twice represented, once in that the king and queen are represented as the bridal couple, and the second time when the king, i.e., God, takes the wanderer up into his kingdom.

The conception is lofty, but it is not the Christian ideal of life and duty. Mysticism and monophysitism are twin systems. Both are religious phases of pantheism. As, to the intellect, acosmism is the corollary of pantheism, so, to the heart, asceticism follows from mysticism. Whether conceived in terms of existence or of value, the world for the mystic is an obstacle to the unio mystica.

He was a proof from fact that body and sense and all that is distinctively human could be sublimated into the universal substance, which is the primary effluence of the Plotinian One. In a word, the incarnate Christ was, to them, the personification of the Neo-Platonist unio mystica.