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These instances appear to have been notorious, if not frequent; for the writer of a dialogue attributed to Plato, after speaking of the immolation of human victims by the Carthaginians, adds that such practices were not unknown among the Greeks, and he refers with horror to the sacrifices offered on Mount Lycaeus and by the descendants of Athamas.

In Boeotia, as we have seen, the sacred marriage of Zeus and Hera, the oak god and the oak goddess, appears to have been celebrated with much pomp by a religious federation of states. And on Mount Lycaeus in Arcadia the character of Zeus as god both of the oak and of the rain comes out clearly in the rain charm practised by the priest of Zeus, who dipped an oak branch in a sacred spring.

For example, in Arcadia, when the corn and trees were parched with drought, the priest of Zeus dipped an oak branch into a certain spring on Mount Lycaeus. Thus troubled, the water sent up a misty cloud, from which rain soon fell upon the land. A similar mode of making rain is still practised, as we have seen, in Halmahera near New Guinea.

'That Daphnis am I who here do herd the kine, Daphnis who water here the bulls and calves. 'O Pan, Pan! whether thou art on the high hills of Lycaeus, or rangest mighty Maenalus, haste hither to the Sicilian isle! Leave the tomb of Helice, leave that high cairn of the son of Lycaon, which seems wondrous fair, even in the eyes of the blessed. Give o'er, ye Muses, come, give o'er the pastoral song!